“Talking to Myself” is a New Wave-infused indie rock track that turns the noise of

modern life — and the constant internal monologue we all carry — into a driving, synth-

and sax-laced anthem. The song was written after frontman Matt Rhea noticed people

talking to themselves on the street and reflected on how most of us do the same thing

internally — we just hide it better.

The song blends pulsing synths, tight guitar lines, stacked vocals, and brassy sax hooks

from John Roy (Smoke & Mirrors Sound System and Escape Hatch Records), with a

sound that nods to quirky icons like Oingo Boingo and Devo. The end result is

energetic, theatrical, and strangely relatable — a high-energy meditation on everyday

madness.

Recording Details

• Recorded & Mixed by: Ben Moore

• Studio: Singing Serpent, San Diego, CA

• Saxophone Hooks: John Roy

• Produced by: Manganista & Ben Moore

About Manganista

Manganista is a long-running indie band from San Diego, California, known for their

theatrical live shows, shape-shifting sound, and genre-blurring approach that mixes

rock, ska, and New Wave. Over the past 20 years, the band has built a cult following

with their quirky musical mashups and high-energy performances.

They’ve shared stages with acts like Flock of Seagulls, The Aggrolites, When in

Rome, and Unsteady, and have played iconic local venues like The Casbah and BellyUp Tavern. Their ever-evolving sound has earned praise from 91X’s Tim Pyles, who

dubbed them “San Diego’s answer to Oingo Boingo.”

Manganista recently released a 7” vinyl box set on Escape Hatch Records, and

“Talking to Myself” marks their return with a fresh but nostalgic take on mental clutter,

self-awareness, and pop weirdness.

Independent artist neurocrush has released their debut mastered single, Silhouettes and State Lines — an evocative track that weaves together lush synth textures, cinematic soundscapes, and hauntingly melodic vocals. Rooted in synthpop, dream pop, and ambient electronica, the single marks a bold and personal step into original music for founding songwriter Jay, who previously spent over a decade performing in live cover bands.

The song’s story is as intimate as its sound. The lyrics were penned during a long road trip by Jay’s close friend Skye, who captured themes of distance, memory, and movement with poignant clarity. Inspired by her words, Jay revisited a melodic stem he had quietly composed months earlier on a winter night in January — and began crafting a full arrangement to bring her writing to life.

To shape the track’s final form, Jay collaborated with a vocalist and producer he connected with through SoundBetter. Working in Logic Pro, the team refined and mastered the song, achieving a polished production that balances emotional depth with technical precision. Skye also contributed the hand-drawn cover artwork, adding another personal layer to the release.

“This track is about human connection — the ache of memory and movement,” says Jay. “It’s not about chasing commercial trends. I just want to share music that resonates with people who live for this kind of atmosphere and storytelling.”

Silhouettes and State Lines is now available on streaming platforms — a cinematic, heartfelt debut for listeners who crave atmospheric, story-driven music.

Based in Leeds, The Dulakes have been making waves with their distinctive brand of alternative rock, taking their sound to venues across the North of England.

Formed in 2024, the four-piece met while at university and consists of:

• Ramsay Irwin – vocals, rhythm guitar

• Joe Rainbow – lead guitar

• James Gavin – bass

• Nat Dowding – drums

Their live shows are a sonic rollercoaster – sometimes aggressive, sometimes melancholic, but always loud. Each gig moves seamlessly from one track to the next, often linked by atmospheric instrumental interludes.

To round off their first year of live performances, The Dulakes dropped their debut single No Clue on April 4th, 2025. It’s just the beginning – with a steady flow of singles lined up for release throughout the year, each track promises something fresh, defying easy genre labels and shifting effortlessly from mood to mood.

The Dulakes have already played both support and headline slots for various promoters across the country, while also organising their own shows in Leeds, often featuring other rising local acts.

With their bold sound and restless energy, The Dulakes are quickly becoming a band to watch in the UK’s alternative scene.

Meet Tin Cry — a genre-defying duo blending raw rock energy with pop sensibilities. Made up of Antonio Moretti (multi-instrumentalist and vocalist) and Harley Taylor (vocals, bass, and occasional guitar), this new band is turning heads with a sound that’s both familiar and refreshingly unique.

A Sound Like No Other

“They’re a pretty unique combination,” says Ursula Noone, Head of A&R at Unbreakable Records. “The tracks they’ve recorded for us have echoes of bands like Led Zeppelin and Pink Floyd, but those influences are stripped back, sliced up, reconstituted, regurgitated — and then served up as their own unique sound. Heavy guitars and drums, but a pop sensibility! Actually, it’s their songwriting chops that made us so keen to get them on our label.”

Tin Cry officially formed last year, but Moretti and Taylor’s musical partnership goes way back. The pair played together in several club bands, often putting their own spin on classic rock covers.

“We’d been happy playing other people’s songs,” says Harley, “but we used to try and re-arrange them live on stage! For instance, we were in a band that covered ‘Twentieth Century Boy’ by T. Rex. After a while, we got bored with the way the rest of the group played it, so we started adding a massive sonic jam at the end — which the audience loved.”

The turning point came when Antonio suggested they start writing and performing their own material. “We’d both been writing songs separately,” Harley recalls, “but it was only when we sat down together to work stuff up that we knew we were onto something really great.”

Deep Influences

Despite their desire to defy genre labels, Tin Cry doesn’t shy away from acknowledging their musical heroes.

“It’s hard to categorise the sound of Tin Cry,” says Tony. “I suppose, like all artists, we don’t want to say that we’re a bit like this band or a bit like that singer. But as Ursula from our record company has said, there are lots of hard rock influences because we both grew up loving that kind of stuff.”

Harley is more direct: “Pistols, Iggy, Clash, Zep, Blondie, Queen, Floyd, Kraftwerk, Gary Numan — will that do?”

Eylsia’s story reads like a modern epic—one of resilience, reinvention, and relentless pursuit of passion. She began her journey as a tennis prodigy, rising to international fame by the age of 10. Competing at prestigious events like Wimbledon and the US Open, her promising sports career was unfortunately cut short due to injury. But Eylsia was only just getting started.

Transitioning into the corporate world, she shattered glass ceilings by becoming a Senior Vice President at a major record company and later the President of several consumer product companies, including the luxury brand Nicolas of Palm Beach. She also played a key role in Rand and WorldIPI.com, two major players in global product development and innovation.

A Voice Silenced—and Then Restored

During the COVID-19 pandemic, Eylsia suffered a severe vaccine-related injury that led to profuse throat bleeding—an event that threatened her passion for singing and songwriting. But true to form, she didn’t back down. Collaborating with scientists and medical professionals through her own company, Eylsia used advanced technology to restore her vocal recordings—ultimately transforming her voice into something more powerful than she ever imagined.

Her music, now featuring a subtle touch of AI (just 10%), is both futuristic and deeply personal.

To promote both her music and her Nicolas of Palm Beach luxury brand, Eylsia is offering 18KT gold-plated pendants and logos to bloggers, curators, and radio stations who write about her or include her songs in rotation. In addition, she is open to major giveaway collaborations with radio stations for joint promotions.

Though her medical condition may prevent her from traditional touring, Eylsia’s company holds significant ownership in cutting-edge hologram technology. Plans are in the works for an affordable worldwide hologram tour, with potential premieres at select casinos.

Eylsia also holds the distinction of being the youngest College President of a nationally accredited institution in U.S. history. Whether it’s sports, business, music, or education—Eylsia is a fierce competitor who turns adversity into opportunity.

Her journey is not just inspiring—it’s a testament to the power of reinvention.