NMR
February 4, 2026

Dylan Connor – Hot Mess ( Pop / Acoustic )

Dylan Connor Releases New Single – Hot Mess.

Singer-songwriter Dylan Connor has released his new single “Hot Mess,” a punchy, straight-ahead rock track driven by sharp, self-aware lyrics and restless energy. The song serves as the lead single from Connor’s forthcoming album Lest We Forget, set for release on January 30. Drawing inspiration from bands like The Cult, XTC, and R.E.M., “Hot Mess” balances classic rock urgency with a modern lyrical bite.

Lyrically, “Hot Mess” explores the tension between confidence and insecurity with humor and clarity. Connor contrasts an almost mythic figure — described as “a living goddess in a diamond-studded dress” — with a narrator unraveling in real time, repeating the refrain “I’m a hot mess / can barely get myself dressed.” The song captures modern restlessness and comparison culture, nodding to digital fatigue and compulsion with lines like “my fingers start to scroll / swiping always takes a toll.”

One of the track’s strongest hooks is its shimmering guitar work, played by producer and multi-instrumentalist Merritt Jacob. He opens the song with a catchy, immediate riff that establishes momentum from the outset, then returns throughout the choruses with a call-and-response interplay against the lead vocals. The result adds lift, texture, and memorability without overcomplicating the arrangement.

Rhythmically, the track is propelled by drums engineered and performed by Coley O’Toole, a multi-instrumentalist and member of the platinum-selling band We The Kings, who also toured with Green Day in the summer of 2024. O’Toole’s performance provides a tight, forward-driving backbone that keeps the song urgent and unfiltered.

Since its release, “Hot Mess” has landed on several Spotify playlists, helping build momentum ahead of Lest We Forget— an 11-track album that moves between darker, edgy guitar work, clean and sparkling textures, and stark, piano-driven moments.

Connor first gained widespread attention with his humanitarian anthem “If Only You’d Listen,” which went viral with over 9 million Facebook views. His music has appeared in films including Adverse and the Oscar-contending documentary Little Gandhi, as well as across networks such as MTV and Discovery.

With Lest We Forget arriving January 30, Dylan Connor continues to embrace an unapologetically human approach — capturing vulnerability, urgency, and self-awareness in equal measure.

NMR
February 4, 2026

Dylan Conner – Hot Mess ( Pop / Acoustic )

Dylan Connor Releases New Single – Hot Mess.

Singer-songwriter Dylan Connor has released his new single “Hot Mess,” a punchy, straight-ahead rock track driven by sharp, self-aware lyrics and restless energy. The song serves as the lead single from Connor’s forthcoming album Lest We Forget, set for release on January 30. Drawing inspiration from bands like The Cult, XTC, and R.E.M., “Hot Mess” balances classic rock urgency with a modern lyrical bite.

Lyrically, “Hot Mess” explores the tension between confidence and insecurity with humor and clarity. Connor contrasts an almost mythic figure — described as “a living goddess in a diamond-studded dress” — with a narrator unraveling in real time, repeating the refrain “I’m a hot mess / can barely get myself dressed.” The song captures modern restlessness and comparison culture, nodding to digital fatigue and compulsion with lines like “my fingers start to scroll / swiping always takes a toll.”

One of the track’s strongest hooks is its shimmering guitar work, played by producer and multi-instrumentalist Merritt Jacob. He opens the song with a catchy, immediate riff that establishes momentum from the outset, then returns throughout the choruses with a call-and-response interplay against the lead vocals. The result adds lift, texture, and memorability without overcomplicating the arrangement.

Rhythmically, the track is propelled by drums engineered and performed by Coley O’Toole, a multi-instrumentalist and member of the platinum-selling band We The Kings, who also toured with Green Day in the summer of 2024. O’Toole’s performance provides a tight, forward-driving backbone that keeps the song urgent and unfiltered.

Since its release, “Hot Mess” has landed on several Spotify playlists, helping build momentum ahead of Lest We Forget— an 11-track album that moves between darker, edgy guitar work, clean and sparkling textures, and stark, piano-driven moments.

Connor first gained widespread attention with his humanitarian anthem “If Only You’d Listen,” which went viral with over 9 million Facebook views. His music has appeared in films including Adverse and the Oscar-contending documentary Little Gandhi, as well as across networks such as MTV and Discovery.

With Lest We Forget arriving January 30, Dylan Connor continues to embrace an unapologetically human approach — capturing vulnerability, urgency, and self-awareness in equal measure.

NMR
February 2, 2026

Snakeheads – Entropy ( Punk / Rock )

Snakeheads – The details.

James Roden and Pete Lusty share a 35-year friendship rooted in a deep love of punk, rock, mod—you name it.

Pete and James first met in Year 7 at Belconnen High in Canberra, bonding over their older siblings’ record collections and recognising each other through the band T-shirts worn under their school uniforms. They grew up obsessed with high-energy punk and rock: The Jam, The Clash, The Who, Sham 69, Buzzcocks, Stiff Little Fingers, alongside Australian greats like The Hoodoo Gurus, The Stems, Midnight Oil and The Easybeats.

Throughout high school, music was the only thing that mattered. It was a time when sneaking into university gigs was as easy as presenting a photocopied birth certificate with the date changed on a typewriter.

Inspired by what they saw and heard, they started their own bands: The Smart (playing The Who and Ramones covers in high school) and The Morticians, a university band that covered The Misfits before writing originals, supporting acts like The Hard-Ons, and releasing a 10” vinyl EP.

After university, they moved to Sydney and formed The John Reed Club, quickly earning a reputation for their high-energy live shows. It felt like their moment. They released their first single on Ivy League Records, signed with EMI, played hundreds of gigs and major festivals such as Big Day Out and Homebake, and supported Foo Fighters and You Am I—before burning out in acrimony just two years after their first gig.

Dusting himself off, James went on to form The City Lights (earning album-of-the-week spots on PBS, 4ZZZ and Triple J) while working at Modular Recordings (The Avalanches, Rocket Science). Pete turned his full attention to Ivy League Records, managing bands during a golden era of Australian music. Still, both missed making music together.

In 2016, Pete and James returned to their Belconnen High roots, jamming weekly with no pressure—just for the love of it. They resumed rehearsals at Pete’s house, each bringing half-finished ideas. The aim was simple: write and refine songs for enjoyment, look forward, and finally finish what they’d started as teenagers. It was also an excuse for Monday night drinks, banter and laughter. And the songs had to rock—hard.

“We only wanted to play what we loved at 15 years old, with no pressure,” says James.

“In a way, we were finishing what we started with The John Reed Club or earlier. The thinking was: ‘Let’s make the songs great, no matter how long they take.’ There’s huge pressure on bands to hurry up, but we didn’t have that. Every detail was discussed—bar by bar. We thought we’d cracked the code to making music fun again.”

Their writing sessions stretched over years. By 2019, as 30–40 songs recorded on Pete’s 8-track tightened up, they began working with friend and producer Wayne Connolly (Died Pretty, You Am I, Jim Moginie). Connolly joined the Monday nights, refining arrangements further and contributing to lyrics.

Finally ready to record, they rehearsed with Kit Warhurst (Rocket Science) on drums and Harry Roden (James’s brother; The City Lights, Hoolahan) on bass, tracking six bed recordings with Wayne at Hercules Studios. It couldn’t have been more fun.

Before the tracks could be mixed, Pete revealed he was seriously ill with high-grade non-Hodgkin’s lymphoma in mid-2019. After unsuccessful treatment in Sydney, he travelled to Boston for a last-chance procedure, joined by family and friends including James and Andy Cassell. Pete Lusty died on March 15, 2020.

Pete passed away before he could see the album finished, but he had heard where it was heading and was as excited as a teenager. One year later, James began the slow, difficult process of completing it. He finished the Wayne Connolly sessions (six songs) and began recording another eleven with Jay Whalley (Frenzal Rhomb, Neptune Power Federation), this time with Graeme Trewin (Sick Fizz, Peabody) on drums.

The album was mixed by Mo Mayhem and Clem Bennett, and mastered by Robin Schmidt, longtime mastering engineer for The Hives.

Without Pete’s decisive input, the project became a drawn-out quest—but it is now finally complete.

NMR
January 19, 2026

Snoe – ElectroMagnetic Radiation( Metal / Instrumental )

Snoe is the solo project of French guitarist and composer Noé Sebban, born in Nice in 1998.

Trained at the Nice Conservatory and the American School of Modern Music in Paris – where he currently teaches guitar – Sebban has developed a distinctive sonic identity at the crossroads of progressive rock, modern jazz, and instrumental metal. His playing balances melodic sensitivity with technical precision, driven by a constant search for organic textures. Drawing inspiration from a wide spectrum of influences, ranging from pop to traditional Eastern music, Snoe’s sound resists easy categorisation.

Following his debut EP Dreamland in 2023, Snoe returns with Playground, a bolder, analog-rich release shaped by artistic freedom and a deliberate disregard for genre boundaries.

The Playground Project

Playground represents a space of total creative freedom. It is a mental playground: chaotic, unfiltered, and unpredictable, where each track becomes an attraction, a challenge, or an experiment. Snoe dives headfirst into the unknown, embracing odd time signatures, unstable harmonies, and raw, organic textures.

The EP was born from the desire to compose without rules, much like a child running wild through a newly discovered world, never looking back. This philosophy extends beyond the music into the visual universe of Playground, which unfolds in a post-apocalyptic setting: a ruined amusement park swallowed by a sandstorm. What was once a symbol of innocence becomes a corrupted childhood space, where play transforms into a rite of passage.

Raw, instinctive, introspective, and explosive, Playground captures that fragile moment when chaos turns into creation.

NMR
January 17, 2026

Naomi Jane – IDWK ( Pop / R&B )

Naomi Jane – Great new Ambient Pop ballad IDWK.

It’s Naomi Jane calling the shot on a planned pivot. She’s standing on the ledge between eras, looking directly at everything she’s built and choosing her next direction out loud. She’s not sneaking out of the party. She’s in the doorway, lights on, taking stock.

The Letterman Trilogy. The sweet talk. Every single and every video. All of it laid out before her as she asks a bigger question. When you leave the party, where do you go? More precisely: after this chapter, where do we go, and who’s coming with me?

Since 2023, Naomi has run one of the tightest release cadences in her lane, dropping a new record and visual roughly every six weeks. Every song arrives with a video. That pace has built a catalog now totaling over 15 million official video views, with three standouts – “In the Moment,” “Lighting,” and “Mr. Incognito” – each crossing one million views in under a month.

“IDWK” is the hinge point of her journey from dawn to dissonance. Every release before it has been placed with intention, every visual a breadcrumb leading here. This is the moment she turns to fans, editors, and curators alike and essentially says: grab my hand. Here we go. Let’s find out what comes after the party.

Before she fully opens up the sound on her upcoming project (working title: dissonance, a transitional placeholder that captures the clash between where she’s been and where she’s going), “IDWK” gathers everyone at the threshold. The new chapter leans into an alt-indie, country-fringed palette, with new instrumentation and a shifted perspective.

Naomi Jane has always been a world-builder through storytelling. What changes now is the sonic landscape and the vantage point. This moment isn’t just about what she’s leaving behind. It’s about the decision she and her audience make together: where to stand next, and how to see the world from there.

The Video 

Naomi Jane once again links up with her longtime cinematographer and editor, Matthew Patrick Donner, the collaborator behind the breakout visuals for “In the Moment,” “Lightning,” and “Mr. Incognito.” Together, they build a new chapter that feels less like a traditional music video and more like a moving threshold inside the Naomi Jane universe.

Rooted, as always, in Santa Barbara, the “IDWK” visual leans directly into the song’s central question: when you leave the party, where will we go?

Rather than staging a straightforward performance, the video unfolds as a modern stream-of-consciousness walk through her own mythology. Naomi drifts through scenes that feel strangely familiar: a fleeting glimpse of “TACOBELL,” a flash of “Like Like Love,” the quiet tension of “Mr. Incognito,” the lingering mystery of “Lightning.” Each moment is re-posed and re-framed, as if she’s passing through her past rather than living in it.

The references are there for fans who’ve been paying attention, but nothing is underlined. This isn’t a highlight reel. It’s a collage of echoes.

The result is a fan-centric puzzle, where each moment is meant to be felt first and decoded later. It’s an odd kind of homage that refuses to look backward. These older worlds appear less like souvenirs and more like signposts, pointing toward what’s coming next.

NMR
January 12, 2026

Brett Adam Sherman – Feels Like Home ( Acoustic Pop )

Miami’s Own Brett Adam Sherman Drops Great new track:

 Rising singer-songwriter and electrifying performer Brett Adam Sherman is set to unleash a wave of pure, unfiltered energy with his highly anticipated new single, “Feels Like Home,” dropping worldwide on December 17, 2025.

More than just a song, “Feels Like Home” is a relentless, funky, fast-paced surf-rock anthem built for sun-soaked days, packed venues, and unforgettable good times.

Funky, Fast, and Impossible to Ignore

Powered by an infectious rhythm and a fun-as-hell melody, “Feels Like Home” makes sitting still nearly impossible. The track’s ear-candy chorus is tailor-made for instant singalongs, effortlessly lifting moods and igniting any party it touches.

Early listeners have already taken notice, praising the production as:

“Ear candy — really good sound, well made and enjoyable, with stellar songwriting, performance, and studio execution.”

It’s the kind of track that hits hard, sticks fast, and begs to be played again.

“I Just Wanted It to Be Pure Fun”

Speaking about the inspiration behind the single, Sherman explains:

“I wanted to create something different, something that was purely fun and captured that feeling of absolute joy. The energy in this track is designed to get your heart pumping. People enjoy it because it’s different, it’s vibrant, and it just makes you move.”

That mission is crystal clear from the first beat to the final chorus.

A Vibrant Tribute to Miami Life

The idea for “Feels Like Home” was born out of a Miami-based songwriters’ group, where Brett was challenged to define what home truly means. The result is a vivid, heartfelt tribute to:

  • Miami’s unmistakable rhythm

  • The unwavering support of family and friends

  • The simple, powerful joy of having fun

It’s a love letter to the city and the energy that fuels it.

Building Momentum Toward Sonic Bloom

With his sights firmly set on expanding his fanbase and sharing his sound with a wider audience, Brett Adam Sherman is stepping confidently into his next chapter. With its universal theme and undeniable momentum, “Feels Like Home”serves as the lead single from his upcoming album:

NMR
January 7, 2026

How to Become a Reddit Moderator: A Complete Beginner’s Guide

Becoming a Reddit Moderator: How to Become a Mod and What to Expect

Reddit moderation is a bit of a dark art. Not in a sinister way — but it is one of those roles that looks simple from the outside and turns out to be far more nuanced once you’re actually doing it.

In this article, I’ll explain how to become a Reddit moderator, what moderators actually do, and what you should realistically expect if you’re thinking of stepping into the role — especially within niche communities like music subreddits.

What Is a Reddit Moderator?

A Reddit moderator (often called a “mod”) is a volunteer who manages a subreddit — Reddit’s version of a forum or community.

Moderators don’t work for Reddit itself. Instead, they’re responsible for shaping and maintaining individual communities by setting rules and enforcing them.

As a Reddit mod, you control:

  • What content is allowed
  • How posts should be formatted
  • When and how often users can post
  • How rules are enforced across the subreddit

In short, moderators define the tone, quality, and direction of a subreddit.

The Easiest Way to Become a Reddit Moderator: Start Your Own Subreddit

The most direct way to become a Reddit moderator is to create your own subreddit. Once you do, you automatically become the top moderator.

From there, you can:

  • Create posting and commenting rules
  • Filter language and explicit content
  • Block specific links or domains
  • Control promotional content
  • Use Reddit’s built-in automation tools

One particularly useful feature is post flairs — small labels that help categorize content. For example, in a music subreddit, flairs might include genres like:

  • Rock
  • Pop
  • Electronic
  • Funk
  • Indie

These make browsing easier and help users understand what a post is about at a glance.

Reddit itself also applies background filtering, meaning some posts may be removed automatically before a moderator even sees them. Compared to platforms like Facebook Groups, Reddit moderation is far more structured and heavily moderated by design.

What Moderators Actually Do Day to Day

Being a Reddit moderator isn’t just about deleting posts.

Moderators can:

  • Remove posts or comments
  • Temporarily suspend users
  • Permanently ban accounts
  • Respond to user reports
  • Invite additional moderators
  • Assign different permission levels to mods

Not every moderator needs full control. Some may only review posts, while others focus on rule enforcement or community management.

In music subreddits especially, one of the most common problems is self-promotion. Many users post links to their own music or marketing content, even when the subreddit is designed for discussion rather than promotion.

If self-promotion isn’t allowed, those posts usually get removed quickly. Clear rules make moderation easier and reduce arguments.

Why Being an Active Member Improves Your Chances of Becoming a Mod

If you don’t want to start your own subreddit, this is one of the most important things to understand:

Being an active member of existing subreddits significantly improves your chances of becoming a moderator.

Reddit moderation is rarely about who asks first. It’s about who consistently contributes in a positive, visible way.

By regularly posting and commenting in subreddits you genuinely care about, you build trust and familiarity within those communities.

Moderators tend to notice:

  • Users who follow the rules
  • People who contribute thoughtful posts and comments
  • Members who help others or guide discussions
  • Familiar usernames that appear regularly and positively

When a subreddit needs new moderators, the mod team will almost always prefer someone they already recognize rather than a complete unknown.

If your goal is to become a Reddit mod, don’t rush it. Participate first, contribute often, and focus on adding value— moderation opportunities often follow naturally.

How to Become a Moderator in an Existing Subreddit

If you’re active in a subreddit and want to take things further, check how many moderators it already has. You can see this on the right-hand side of the subreddit page.

  • If a subreddit already has 10 or more moderators, your chances are usually slim
  • If it only has 2 or 3 moderators, there may be room to help

In that case, you can message the mod team and simply say you’re happy to assist if they’re looking for support.

That’s exactly how I became involved in larger subreddits. I started with my own, stayed active elsewhere, and eventually got invited to help moderate. Over time, people left — and I effectively inherited the role of main moderator.

That kind of progression is more common on Reddit than you might expect.

Taking Over Inactive or “Dead” Subreddits

Another lesser-known option is taking over inactive subreddits.

Reddit has dedicated systems that allow users to:

  • Apply to moderate abandoned subreddits
  • Request control of communities with inactive moderators

If a subreddit hasn’t seen moderator activity for months, Reddit may intervene and allow new moderators to step in. Existing moderators are usually contacted first to confirm whether they’re still active.

These subreddits are often small or niche — sometimes for good reason — but it’s still a legitimate way to become a moderator.

Is Being a Reddit Moderator Worth It?

Overall, moderating a subreddit can be interesting, rewarding, and educational, especially in focused communities like music.

However, it can become tedious if:

  • Users constantly report each other
  • Complaints outweigh genuine discussion
  • Rules aren’t clearly defined or enforced

The key to good moderation is prevention. Strong rules, automation tools, and clear guidelines reduce problems before they start and make moderation far more manageable.

Final Thoughts on Becoming a Reddit Moderator

Becoming a Reddit moderator isn’t difficult — but being a good one takes time, patience, and consistency.

If you:

  • Care about a subject
  • Enjoy community building
  • Don’t mind occasional conflict resolution

…then Reddit moderation can be genuinely rewarding.

If you have questions about becoming a Reddit moderator, feel free to reach out.

And if you’re into music, check out my subreddit — I’ve linked it below.

Good luck, and happy moderating. 

NMR
January 3, 2026

Kwoon – Swan ( Acoustic Pop / Folk )

After the cinematic sweep of Odyssey earlier this year, French post-rock/folk collective

KWOON now turns inward with a new chapter: the acoustic album Unplugged from the

Moon.

Led by the haunting single Chesslove, the record strips away effects to reveal the raw

essence of Kwoon’s universe — delicate, timeless, and deeply human.

Unplugged from the Moon serves as an “unplugged best of, breathing new life into

highlights from the band’s discography while introducing Chesslove as a luminous

centerpiece.

Electric guitar lines transform into sweeping string arrangements, while folk

textures, piano, and choral layers imbue the music with neoclassical grace.

The result is an intimate fireside atmosphere — music that drifts between gentle melancholy

and quiet poetry, inviting listeners to close their eyes and rediscover Kwoon in its purest

form.

NMR
January 1, 2026

Review – Boss Katana Airstep basics

The Boss Katana and Airstep can be confusing at first, especially if you’re new to using foot controllers.

In this video, we break things down to a simple starting point, showing you how the Airstep footswitches work in:

🔵 Blue Mode (Amp Mode) – switching and controlling amp functions

🟢 Green Mode (FX Mode) – navigating and activating effects This guide is perfect if you’re setting up your Katana for the first time or want a clearer understanding of how the Airstep integrates with it.

If you find this helpful, consider liking, subscribing, and commenting with any questions you’d like covered next!


NMR
December 25, 2025

Artist Anxiety – Yes it’s real, but you can get past it.

Today I want to talk about something that doesn’t get discussed nearly enough in the music world: anxiety. Whether you’re a brand-new artist or someone who’s been releasing music for years, anxiety can creep in quietly and affect not just how you create, but how you see yourself long-term.

Depression, self-doubt, anxiety about songwriting, production skills, image, and even relevance—it all adds up. In the current music landscape, with its constant noise and pressure, it’s no surprise that so many artists feel overwhelmed.

Where Does Artist Anxiety Come From?

First, it’s important to acknowledge that people are wired differently. Some artists have a higher threshold for stress, rejection, and uncertainty. Others feel things more deeply. Neither is right or wrong—but it explains why the same situation can affect artists in very different ways.

For new or relatively unknown artists, anxiety often starts with questions like:

  • What do I look like?

  • Do I look “right” as an artist?

  • Does my song sound good enough?

  • Is the mix professional?

  • Should I spend money on promotion?

  • Do I need better YouTube thumbnails?

  • Where do I even start—and how much should I spend?

Individually, these questions seem manageable. Together, they form a mental barrier that can completely stop an artist from moving forward.

Breaking It Down, One Step at a Time

One way to reduce this anxiety is to stop trying to solve everything at once. Tackle problems one at a time. Some things are easier to change than others.

Image and Identity

You can change your image if you want to. Music history is full of artists who created personas to support their sound—Elton John, David Bowie, and many others. That separation between the artist and the person can sometimes be freeing.

But there’s no point forcing an image that doesn’t feel authentic. If it’s not you, it won’t last—and it may increase anxiety rather than reduce it. For many artists, staying true to who they are is far less stressful.

Some people even choose to remain faceless online, especially on platforms like YouTube. Personally, when I started doing YouTube (not as an artist, but as a creator), I was a little self-conscious at first. But after years of posting and over 100 videos, I can honestly say no one has ever commented negatively on how I look or sound. Most of the fear exists only in our own heads.

“Is My Song Good Enough?”

This might be the biggest source of anxiety of all.

Once you’ve written a song and gone through a basic quality process—arrangement, recording, mixing to a reasonable standard—there’s not much more you can do. Whether people connect with it or not is something only time will tell.

I don’t really believe in songs being “good” or “bad” in a subjective sense. Unless something is musically broken—out of time, out of key, or poorly executed—it’s simply a piece of music waiting to find (or not find) its audience.

What causes real stress is when artists upload their music… and nothing happens.

The Reality of the Modern Music Landscape

Because of the sheer volume of content being released every day, nothing happening is actually the default outcome. If something does happen, it’s a bonus.

Algorithms are confusing, inconsistent, and often opaque. Honestly, I’m not sure even the platforms fully understand how they work anymore. Sending your music into the void can feel brutal, especially when you’re emotionally invested in it.

This often leads artists to withdraw—to stop sharing, stop engaging, and sometimes stop creating altogether.

Engagement Over Promotion

One thing I’ve learned over time is that engagement matters more than constant self-promotion.

Through platforms like Twitter (especially earlier on), Facebook groups, and now Threads, I’ve met some genuinely interesting people—some of whom turned out to be in influential or well-connected positions in the industry. You rarely know who you’re talking to at first.

Engage in discussions. Comment thoughtfully. Be present. Most people won’t click a random music link—but they willinteract with ideas, conversations, and visuals.

On my own website, I’ve noticed that images often get more clicks than text. A strong visual can be a gateway into deeper engagement, but obsessing over perfection will only fuel anxiety.

When Anxiety Turns Into Something More

This is the hardest part.

I regularly see short posts on Threads that say something like:

“I’m fed up. I’ve posted everything. Nothing is happening.”

It might look like a throwaway line, but often there’s someone genuinely struggling behind it—someone who feels lost, unheard, and close to giving up.

This is how anxiety can spiral into depression. When effort doesn’t seem to equal progress, it’s easy to internalise failure.

A Difficult but Honest Truth

There is another side to this conversation, and it’s uncomfortable: not everyone is naturally suited to everything they want to do.

Just like in sport—if you’re not built to be a competitive athlete, no amount of effort will make you win races. Music can be similar. Some material is strong, some is average, and some simply doesn’t connect.

That doesn’t mean creating music is pointless. It does mean that tying your self-worth entirely to external validation is dangerous.

Final Thoughts

Artist anxiety is real, widespread, and often invisible. The key is to:

  • Break problems into smaller steps

  • Focus on engagement, not instant success

  • Accept uncertainty as part of the process

  • Separate your identity from outcomes

Most importantly, remember this: making music is not a failure just because it doesn’t blow up. Sometimes the act of creating is enough—and sometimes that has to be okay.

You’re not alone in feeling this way, even if it feels like you are.