Where rising artists can get heard.
NMR website featuring new Indie artists, they feature Artists in Focus and also many others On the Radar weekly.
Latest Artists Reviews
In a world craving a return to the human art of storytelling and melodic escape, Chicago modern rock quartet Emitterdeliver with their powerful new album, Extra Pale.
Blending guitar-heavy grooves, driving rhythms and a bright, kaleidoscopic sound, the album provides the perfect backdrop for Jason Chappell’s distinctive powerhouse vocals. Soulful and occasionally sombre, but ultimately resilient, Extra Pale is rock ’n’ roll that feels both classic and immediate. Fans of Counting Crows and Foo Fighters should find plenty to enjoy.
The album, released April 17, brings together Chappell (vocals/guitar), Steven Van Der Griend (guitar), David Schoon(bass) and Edd Merkel (drums).
“Extra Pale is unfinished business for us. We made this record ourselves, writing it, producing it and playing everything except the drums. It sat on a hard drive for almost 20 years, and we realized we owed it to each other to let it breathe.”
Originally recorded at The Pop Machine in Indianapolis with Marc and Eric Johnson, the album features drummer Kenny Aronoff and was ultimately completed with producer Marc Daniel Nelson.
“This record is about brotherhood and grit. Life happened, and the album never came out. Twenty years later, we realized we weren’t done with it.”
Now, Emitter aren't chasing trends — they're simply releasing an album they believe in. Extra Pale will also receive a limited vinyl release, marking the band's first full-length album since their beginnings in the early 2000s.
Emitter – Carried Away ( Pop / Rock
Budget Reverb pedals - Can they do the job?
Amoon Pockman Reverb & Delay Pedal Review: Budget Ambient Tones That Actually Deliver
If you're piecing together a home studio pedalboard without blowing your budget, the **Amoon Pockman Reverb & Delay** deserves a look. In my latest video review, I put this compact two-in-one pedal through its paces — testing it in pure reverb mode, pure delay mode, and blended together — to see whether it can really punch above its price point.
How It Works
The Pockman splits its controls between two distinct modes: reverb and delay, each with a dedicated set of voices you can dial in depending on the vibe you're after. I walk through exactly how the mode switching and mix controls work early in the video, followed by a first-listen demo in blended mix mode so you can hear both effects working together right out of the gate.
Reverb Modes Put to the Test
The reverb side alone covers a surprising amount of ground for a budget pedal:
- **Room** – tight, natural ambience
- **Hall** – bigger, more spacious decay
- **Church** – long, cathedral-like tails
- **Plate** – classic studio shimmer
- **Spring** – vintage, surf-ready wobble
- **Reverse** – swelling backwards tones
- **Modulation** – reverb with built-in movement and texture
Each setting gets its own sound clip in the video, so you can hear the differences instead of just reading about them.
Delay Modes Put to the Test
The delay side is just as thorough, with settings ranging from lo-fi character to pristine analog warmth:
- **Low Bit** – gritty, degraded lo-fi repeats
- **Time** – clean, standard digital delay
- **Swell** – reverse-delay style volume swells
- **Real Echo** – tape-style warmth
- **Tube Echo** – warm, saturated repeats
I also cover a handy **tap tempo tip** for dialing in delay times on the fly, which makes a real difference for playing live or tracking on the spot.
Combining Reverb and Delay
Where the Pockman really shines is when you blend both effects together — the combined reverb + delay mode is where those genuinely great ambient, wash-y tones come alive. It's the kind of sound you'd expect from pedals costing significantly more.
Verdict
After testing every mode individually and blended, my honest take (and full pricing breakdown) lands at the end of the video. Short version: for the price, the Amoon Pockman is a legitimately strong option if you're building out a budget-conscious pedalboard and want reverb and delay flexibility in one box.
Budget Reverb / Delay – Pockverb from Amoon
From Londo Uk, Seasoned electronic and dance artist A3 makes a welcome return to the UK music scene with his smooth new single, “Maybe It’s You.”
Marking a sophisticated evolution in his signature uplifting sound, the track swaps the high-octane energy of the dancefloor for a deeper, more laid-back sonic landscape.
“Maybe It’s You” serves as the opening single in a new creative chapter for A3, who joined forces in the studio with acclaimed producer and multi-instrumentalist Ian Barter. Barter’s impressive credits include work with Amy Winehouse, Paloma Faith, Dermot Kennedy, and Izzy Bizu.
His production brings a rich, analogue warmth to A3’s melodic sensibilities, blending organic textures with a hypnotic, down-tempo groove. The result is a resonant sound that retains A3’s infectious hooks while exploring a cooler, more atmospheric aesthetic.
“Working with Ian allowed me to drop the beat, then peel back the layers and focus on the raw mood of the music. ‘Maybe It’s You’ is built for those introspective, sunset moments. It’s a bit of a departure from the peak-time club tracks people might expect, but it feels like the most authentic representation of where I am creatively right now.”
The track was mastered in London by industry veteran Tony Cousins at Metropolis, whose credits include Robbie Williams and Annie Lennox.
A3 is no stranger to the upper echelons of the UK music scene. Having previously graced the front cover of Music Weekon his debut, his career includes a string of popular club hits, including the dance-chart fixtures “Feel the Light” and “Come With Me.”
Over the course of his career, A3 has also collaborated with electronic music duo Nervo, while his work has received remixes from legendary pioneers such as Paul Oakenfold.
With “Maybe It’s You,” A3 demonstrates an artist unafraid to reinvent himself. As the first taste of an upcoming trilogy of releases, the single offers a chilled, heartfelt listening experience and a glimpse into an exciting new creative direction.
Producer - Ian Barter
Mastering - Tony Cousins
A3 – Maybe Its You ( Pop /
The Marches - Struck To The Heart - Pop / Rock.
About -
The Marches return this October with Faultline, a bold and emotionally charged four-track EP that captures the band at their most urgent, vulnerable, and creatively fearless. Recorded after a year marked by growing momentum and transformation, the Glasgow rock outfit pushes further into the space between fragility and force, blending soaring melodies, sharp-edged guitars, and their trademark lyrical honesty.
At its core, Faultline unfolds as a single emotional journey — one that shakes, reshapes, and ultimately forces self-reflection.
The EP opens with “Struck to the Heart,” a rush of infatuation laced with subtle warning signs, where falling hard feels as thrilling as it is dangerous. “The Habit” follows, diving into the cycle of returning to what hurts — repeating patterns that feel impossible to break. On “Be Cool,” the tone shifts into a moment of clarity, capturing the quiet act of convincing yourself you’re fine, even when you’re not — a subtle rebellion against the version of yourself that stayed too long. Closing track “Concrete Into Dust” delivers release, as the relationship unravels, behaviours shift, and the aftermath becomes the foundation for something new — growth, acceptance, and the first breath of freedom.
Across Faultline, The Marches lean into the fractures that shape us — the moments where pressure reveals truth and breaking points become turning points. Sonically, the EP balances atmospheric restraint with explosive release, weaving shimmering guitars, dynamic percussion, and vocals that shift between raw vulnerability and commanding intensity.
Following a run of sold-out headline shows, festival appearances, and national radio support, Faultline marks another decisive step for a band rapidly emerging as one of Scotland’s most compelling new voices. With its emotional depth and melodic ambition, the EP sets the stage for their most impactful chapter yet.
Faultline will be available on all major streaming platforms this October. The band will also headline a hometown show at Garage Attic on 14th November 2026.