New Music Review

Meet Tin Cry — a genre-defying duo blending raw rock energy with pop sensibilities. Made up of Antonio Moretti (multi-instrumentalist and vocalist) and Harley Taylor (vocals, bass, and occasional guitar), this new band is turning heads with a sound that’s both familiar and refreshingly unique.

A Sound Like No Other

“They’re a pretty unique combination,” says Ursula Noone, Head of A&R at Unbreakable Records. “The tracks they’ve recorded for us have echoes of bands like Led Zeppelin and Pink Floyd, but those influences are stripped back, sliced up, reconstituted, regurgitated — and then served up as their own unique sound. Heavy guitars and drums, but a pop sensibility! Actually, it’s their songwriting chops that made us so keen to get them on our label.”

Tin Cry officially formed last year, but Moretti and Taylor’s musical partnership goes way back. The pair played together in several club bands, often putting their own spin on classic rock covers.

“We’d been happy playing other people’s songs,” says Harley, “but we used to try and re-arrange them live on stage! For instance, we were in a band that covered ‘Twentieth Century Boy’ by T. Rex. After a while, we got bored with the way the rest of the group played it, so we started adding a massive sonic jam at the end — which the audience loved.”

The turning point came when Antonio suggested they start writing and performing their own material. “We’d both been writing songs separately,” Harley recalls, “but it was only when we sat down together to work stuff up that we knew we were onto something really great.”

Deep Influences

Despite their desire to defy genre labels, Tin Cry doesn’t shy away from acknowledging their musical heroes.

“It’s hard to categorise the sound of Tin Cry,” says Tony. “I suppose, like all artists, we don’t want to say that we’re a bit like this band or a bit like that singer. But as Ursula from our record company has said, there are lots of hard rock influences because we both grew up loving that kind of stuff.”

Harley is more direct: “Pistols, Iggy, Clash, Zep, Blondie, Queen, Floyd, Kraftwerk, Gary Numan — will that do?”

Eylsia’s story reads like a modern epic—one of resilience, reinvention, and relentless pursuit of passion. She began her journey as a tennis prodigy, rising to international fame by the age of 10. Competing at prestigious events like Wimbledon and the US Open, her promising sports career was unfortunately cut short due to injury. But Eylsia was only just getting started.

Transitioning into the corporate world, she shattered glass ceilings by becoming a Senior Vice President at a major record company and later the President of several consumer product companies, including the luxury brand Nicolas of Palm Beach. She also played a key role in Rand and WorldIPI.com, two major players in global product development and innovation.

A Voice Silenced—and Then Restored

During the COVID-19 pandemic, Eylsia suffered a severe vaccine-related injury that led to profuse throat bleeding—an event that threatened her passion for singing and songwriting. But true to form, she didn’t back down. Collaborating with scientists and medical professionals through her own company, Eylsia used advanced technology to restore her vocal recordings—ultimately transforming her voice into something more powerful than she ever imagined.

Her music, now featuring a subtle touch of AI (just 10%), is both futuristic and deeply personal.

To promote both her music and her Nicolas of Palm Beach luxury brand, Eylsia is offering 18KT gold-plated pendants and logos to bloggers, curators, and radio stations who write about her or include her songs in rotation. In addition, she is open to major giveaway collaborations with radio stations for joint promotions.

Though her medical condition may prevent her from traditional touring, Eylsia’s company holds significant ownership in cutting-edge hologram technology. Plans are in the works for an affordable worldwide hologram tour, with potential premieres at select casinos.

Eylsia also holds the distinction of being the youngest College President of a nationally accredited institution in U.S. history. Whether it’s sports, business, music, or education—Eylsia is a fierce competitor who turns adversity into opportunity.

Her journey is not just inspiring—it’s a testament to the power of reinvention.

you is the intimate solo project of musician and composer Emanuele Tabarrini, launched in 2020 with the debut EP To Believe and Suffer. Blending emotional depth with acoustic textures, you quickly carved a space in the underground music scene.

In 2023, Tabarrini followed up with his second release, A Shred of Bliss, which led to a promotional mini-tour across Italy, with performances at festivals, clubs, and as an opening act for established artists.

Looking ahead, 2025 marks a new chapter with the upcoming release of Sound of Rising (vol. I), the first part of his third album. The journey begins with the first single, “Getting Deeper,” released on June 27, 2025.

Musically, you is rooted in emo and grunge, layered with alternative, progressive, and jazz influences. The sound is melancholic and dreamlike, yet often lifts into more powerful, energetic tones—thanks in part to the dynamic trio setupfeaturing bass and drums.

Tabarrini’s work draws inspiration from a range of artists, including Nick Drake, Pat Metheny, Fink, and Ben Howard, offering a listening experience that feels both introspective and expansive.

Seattle, WA – July 15, 2025 – The electrifying duo Nouveau Arcade is back with a vengeance, unleashing their explosive new single, “Gaslight.” Gritty, genre-defying, and fiercely unapologetic, this track is a battle cry against manipulation, misinformation, and the weaponization of truth.

Blending dark synth, industrial grit, and post-punk attitude, “Gaslight” is a sonic punch to the gut — raw, cathartic, and uncomfortably relevant. It’s a bold middle finger to societal gaslighting, channeling urgency, frustration, and dark humor into a soundscape that demands attention.

“This came from a place of frustration,” says Len X.

“We wanted to give people something that makes them feel seen — maybe even a little dangerous, in the best way.”

The single also offers a taste of what’s to come on Nouveau Arcade’s upcoming album, Die Happy, which promises to push boundaries both emotionally and musically.

“We’re done playing it safe,” adds K/7.

“This is the sound of vulnerability and fury, side by side.”

“Gaslight” is out now on all digital platforms.

Plug in your headphones, turn up the volume, and let it burn.

Brighton alt-rockers really big really clever have dropped another preview of their highly anticipated (and cheekily titled) upcoming album, ‘…huh’. Their latest single, ‘the middle’, dives deep into emotional territory, exploring themes of identity, expectation, and the inner conflict that often comes with close personal connections.

“‘the middle’ explores the emotional strain and evolving expectations that can often come from personal connections,” the band explains. “It reflects on the painful realisation that, despite your best efforts, you may never be able to become the person you think you want to be. The song captures the internal conflict of losing yourself in the process and ultimately speaks to the journey of reclaiming your identity—learning to recognise, avoid, and move on from situations that demand you to be someone you’re not.”

Musically, ‘the middle’ showcases the band’s signature sound—gritty, off-kilter alt-rock with punchy riffs, raw energy, and hook-laden melodies. It follows their previous release, ‘back door’, a chaotic and electrifying track that accompanied the announcement of the new record.

About the album ‘…huh’

‘…huh’ is the follow-up to the band’s acclaimed 2023 self-titled debut. Recorded and produced in Whitstable during Spring 2024 with long-time collaborator Ian Sadler, the new album will be released on 22nd August 2025 via Sugar-Free Records.

UK Tour Announced

To celebrate the release, really big really clever will hit the road across the UK in late August and September, bringing their explosive live energy to a city near you. Known for their gripping stage presence, the band has previously toured with acts like Tigercub, Sweet Pill, Have Mercy, and Church Girls, and have received support from BBC Introducing, The Modern Rock Show, and Spotify playlists like Today’s Punk and Hot New Bands.

Tour Dates – ‘…huh’ UK Tour 2025:

• 30 Aug – Jersey, The Blue Note

• 06 Sept – Brighton, The Hope & Ruin

• 10 Sept – Edinburgh, Sneaky Pete’s

• 11 Sept – Newcastle, Little Buildings

• 12 Sept – Leeds, Hyde Park Book Club

• 13 Sept – Sheffield, Hallamshire Hotel

• 14 Sept – London, Sebright Arms

• 16 Sept – Cardiff, Clwb Ifor Bach

• 17 Sept – Bristol, The Louisiana

• 20 Sept – Birmingham, The Flapper

🎟️ Tickets available now – don’t miss it!

Singer-songwriter and sonic shapeshifter Jeremy Serwer returns with his most ambitious project yet: The Nines, a kaleidoscopic 18-track concept album fusing horror, sci-fi, and the surreal absurdities of modern life.

A Year in the Making.

Written and recorded over the past year, The Nines marks Serwer’s ninth full-length release—and, as he puts it, his “most self-indulgent” to date. With contributions from artists across the globe—from the Bay Area to Denver to the UK—this sprawling album channels a subconscious stream of sonic storytelling.

“Songs began to emerge—subconsciously, unexpectedly,” Serwer shares. “It’s like flipping through a cosmic short story collection. Horror, psychic thrillers, cosmic hope, existential dread. It’s all in there.”

This cinematic journey is powered by a diverse group of collaborators:

• Leor Manelis (Denver) – Drums

• Gary Alesbrook (UK) – Trumpet (noted for work with Noel Gallagher and Kasabian)

• Jenn Dashney & Cortnee Langlie – Vocals

• Gawain Mathews – Mixing, mastering, guitars, and keys

Despite being recorded remotely, the album pulses with emotional and sonic cohesion—proof that creativity transcends distance.

The Nines doesn’t sit neatly in a genre box. Expect a collision of:

• Alt-rock grit

• Cinematic textures

• Narrative-driven songwriting

• Dark whimsy and deep emotion

It’s immersive, unpredictable, and completely in tune with the surreal vibe of our times.

Escape Into “The Nines”

If you’re looking for a sonic refuge—a way to momentarily unplug from the chaos of modern life—this might be the escape you need.

“If you need an escape from the chaos—or a sonic refuge from the slow roll into authoritarianism—The Nines might be it.”

Veteran producer and multi-instrumentalist Jim Eannelli is no stranger to the stage. From hard rock to synth-pop, Eannelli’s career has spanned decades and genres. He’s played alongside legends like Rick Derringer on the Colour Radio record and performed with Sam Llanas (formerly of the BoDeans) and the recently rediscovered ‘80s power-pop band The Shivvers. A revered figure in the Milwaukee music scene, Eannelli is finally taking center stage with the release of his first solo album, Just Deserts.

Drawing from a treasure trove of original songs written over the years, Just Deserts captures the essence of a life lived through music. Each track reflects the eclectic path Eannelli has taken—rooted in experience, emotion, and a deep respect for songwriting.

The album kicks off with the raw, rockabilly-meets-punk energy of “29 Women”, a fierce indictment of war and its toll. From there, Eannelli shows his range with the heartfelt ballad “Where I’ve Been”, a reflection on heartbreak and loss. He moves through styles effortlessly: the moody blues of “Train from Chicago”, the bright, Beatlesque pop of “Waitin’”, and the soaring Americana tones of “Christine”.

As a producer, Eannelli brings each song to life with authenticity and soul. As a lyricist, he navigates themes of tragedy, confusion, and spiritual searching—capturing the highs and lows of the human experience with poetic clarity.

Album Release Info

Just Deserts will be released on September 27 via Happy Growl Records on all major streaming and download platforms.

Written by myself with help from Thea Kay, and produced by the brilliant LA-based duo Tripped n Sat, this track has a lot to offer sonically.

It begins with a soft, intimate diary entry from last year, sung over a gentle piano. Gradually, it builds into an upbeat, guitar-led indie-pop song, taking listeners on a journey — from an uncertain future, through a regretful past, and landing in an optimistic, present-moment chorus.

Silk is soft, smooth, and sensual. It evokes an image of femininity and adult elegance — think bedsheets, pyjamas, little black dresses, or even a slick bow tie.

Corduroy, on the other hand, is rougher and more durable. It carries a casual, youthful, and genderless energy — dungarees, kids’ clothes, everyday trousers.

The phrase “Silk or Corduroy” is about embracing joy no matter who you are or how you present yourself. It’s a reminder that you’re never the wrong kind of person to “go out, choose joy, dance in silk or corduroy.”

One of my favourite parts of the song is the bridge, where I layered the voices of many of my friends to create a crowd-like feeling. I dream of the day I’ll hear this part chanted by thousands at a festival:

“Maybe it all lies in the mediocre,the cruxes of life that we find when we’re sober,the hours of brushing teeth and moments spent in queues,the repetitiveness of pre-hang-up ‘I love yous’”

To me, this lyric encapsulates the entire spirit of Silk or Corduroy — finding meaning and magic in life’s quiet, mundane moments.

I’m a Brighton-based artist, originally from Bristol, and recently moved back to the UK after four years living in Amsterdam. I’ve been releasing music independently for over five years now, learning and growing with every new release.

Thanks for listening, and for dancing — whether you’re in silk or corduroy.

July 8, 2025 – Veteran indie rockers Deep Sea Camels are back with a fresh and emotionally charged new single, “Now I Think Maybe You Know” — and it’s already turning heads.

Blending their signature punchy guitar hooks, raw vocal delivery, and a narrative that hits close to home, the track signals a confident evolution for the band, without straying from their indie rock roots. Full of energy, tension, and subtle musical twists, this new release finds Deep Sea Camels pushing their sound into deeper, more reflective territory.

“We want to keep challenging ourselves creatively while also writing songs that matter,” says frontman Mike Dobson. “We’ve been around awhile, so there’s no shortage of lived experience to draw upon.”

“Now I Think Maybe You Know” tells a cautionary tale of bad decisions, misplaced priorities, and the clarity that comes in hindsight. As guitarist Steve Hurst puts it, “We’ve all experienced an element of that — but the good news is you come out the other side a little wiser… and then you get to write a song about it.”

The result? A vibrant, melodic indie rock anthem with storytelling at its core and plenty of heart for fans to connect with. If you like your indie rock with grit, soul, and a classic twist — this track’s for you.

Deep Sea Camels is an independent rock band known for merging contemporary indie aesthetics with the emotional depth of classic rock influences. Their sound drifts freely from bluesy rock and indie pop to psychedelia, always grounded by thoughtful, often irreverent lyrics about love, politics, and the chaos of modern life.

With bold arrangements and immersive atmospheres, their music invites listeners on a journey through decades of sonic inspiration. Whether you’re a longtime fan or just discovering their catalog — you’re in for a ride.

 Stay deep, my friends.

 Listen to “Now I Think Maybe You Know” – Out now on all platforms.