Hollow Bodies – The Tour review ( Pop / Rock )
NMR – I wasnt sure about this at first I mean its harmless enough but on first listen I was on the fence, a few plays and I get it, its quirky, its catchy, the melodies are nice, its not too serious and it shows, reminds of Divine Comedy.
Hollow Bodies’ lively new single, The Tour, drops listeners straight into the uneasy atmosphere of a high school reunion—where nostalgia collides with reality, and no one quite turned out the way they imagined.
The track serves as the first release from the Seattle-based janglegazers’ upcoming album, We’ve Never Been Wrong. Their seventh record takes the form of a concept album, following the lives of Newport High School’s Class of ’05 as they grapple with the gap between youthful ambition and middle-aged reality.
Questions linger throughout the narrative: Will Hal’s flashy new car finally earn him the respect he lacked as a teenager? Can Emo Eddie rekindle his long-lost connection with the class valedictorian? It’s a slightly absurd, deeply relatable portrait of a generation facing the quiet disillusionment of adulthood—a true middle-aged wasteland.
Recorded at Seattle’s iconic Litho Studios, We’ve Never Been Wrong unfolds across twelve story-driven tracks, each capturing a different perspective from the class of ’05. Together, they form a reflective and often humorous meditation on identity, regret, and the choices that shape a life. At its core lies a lingering question: How did I end up in the world I’m living in?
With wry, introspective lyrics and winding guitar hooks, Hollow Bodies continue to carve out their distinct space within indie rock. Their offbeat storytelling evokes the hazy fuzz-folk textures of Yo La Tengo alongside the warm, eccentric humor of Super Furry Animals—resulting in a sound that both celebrates and questions modern American life.
The Far North – All The Things You Did ( Acoustic / Folk)
NMR – Fresh Acoustic sounds on this track, a very upfront live vibe with that ” In the room” feeling, Lee’s vocal has his own style, gritty and melodic, the added instrumentation helps the overall dynamics, nice work.
Runcorn Folk/Alt-Country artist The Far North returns with a brand-new album, Songs For Weathering Storms, set for release on November 21st via Red Lantern Records. The record will be preceded by the lead single “Mountain Song”, arriving on October 31st.
The Far North is the solo project of singer-songwriter Lee Wylding, who formed the project in 2020 following the disbandment of UK Americana outfit The Fireflys, where he served as lead guitarist and vocalist for over 15 years.
His debut album, Songs For Gentle Souls—produced by Nigel Stonier—quickly gained traction, receiving early support from BBC 6 Music presenters Chris Hawkins and Bob Harris. The exposure helped the album reach #1 on both iTunes and Amazon charts.
In 2023, Wylding followed up with Songs For Healing Hearts, further cementing his reputation with appearances at events such as The British Country Music Festival and Party In The Pews.
Now, with his third release, Wylding describes Songs For Weathering Storms as his most emotionally expansive work to date. While themes of love, loss, and hope remain central, the new album broadens its scope. One standout track, “Release/Repeat,” takes a thoughtful look at humanity’s relationship with animals, encouraging listeners to reconsider consumption habits and embrace a more plant-based future.
The upcoming single “Mountain Song” captures the emotional depth of the record. Written about a particularly painful breakup, the track begins in a reflective, melancholic tone before evolving into an uplifting finale, driven by a vibrant violin-led coda.
Despite its introspective moments, the album also offers a sense of optimism. Tracks like “Ship Of Bones,” “I Am The Storm,” and “Hummingbird” explore resilience and the importance of looking ahead with those closest to you.
Sonically, the album embraces a stripped-back approach. The absence of drums and the intimate production style were intentional choices by Wylding and producer Jono Tringham. Drawing inspiration from artists like Dallas Green (City & Colour), the record leans heavily on acoustic instrumentation, allowing the songwriting to take center stage.
Additional influences can be heard throughout, with nods to Neil Young, Uncle Tupelo, Johnny Flynn, and Bruce Springsteen shaping the album’s warm, roots-driven sound.
With Songs For Weathering Storms, The Far North continues to refine a deeply personal and honest voice—one that resonates through simplicity, storytelling, and emotional authenticity.
Merry Brigade – Dreamy Jangley guitar Pop stuff for your enjoyment.
I really enjoyed this track Neet, nice tempo and groove, great guitar chord structure and overall nice vibe, vocal sounds good, mix is nice and wide and the lyric hookline is pretty catchy too !
Boston-based indie punk/alternative outfit Merry Brigade have unveiled their latest EP, DDD — a striking and immersive release that captures the emotional turbulence of modern life in 2026.
Blending elements of experimental pop, dream pop, grunge, and post-hardcore, DDD showcases the band’s impressive stylistic range without sacrificing cohesion. Their songwriting remains sharp and memorable, balancing infectious hooks with an off-kilter edge that keeps listeners engaged throughout.
At its core, DDD is a deeply introspective project. The EP dives into themes of overwhelming stress, escapism, depression, toxic relationships, and generational trauma, while also reflecting on the cyclical nature of existence. The result is a poignant and incisive body of work that resonates with the anxieties of a modern audience.
I sit down with German metal band Timeless Rage for an in-depth chat about what it really takes to create powerful modern metal.
We dive into their approach to songwriting, recording and production techniques, and the realities of trying to get your music heard in today’s crowded scene. They also break down the story and sound behind their latest release, “My Kingdom Come.” If you’re into heavy music, this one’s for you.
Timeless Rage deliver a compelling fusion of catchy, punchy Power Metal and richly detailed Symphonic Metal. Their sound is driven by powerful male lead vocals and leans into darker, mystical atmospheres, often balanced by moments of uplifting melody and hope. The result is a dynamic listening experience full of contrast, variety, and emotional depth.
Their 2022 album Untold, released via Metalapolis Records, marked a strong return for the band with a refreshed line-up. The record was well received by the press, earning an impressive average rating of 8/10.
Following the album, the singles “Ocean Twilight – 2023” and “The Devil’s Masquerade” introduced Nicolaj Ruhnow as the band’s new vocalist, adding a fresh dimension to their evolving sound. More recently, “Moonbite Serenade” emerged as the first glimpse into their upcoming album, also showcasing new bass player Daniel Wengle.
With renewed energy and a refined creative direction, Timeless Rage are stronger than ever—both in the studio and on stage. Their blend of melody, intensity, and experience translates into powerful live performances that resonate with audiences. Over the years, they’ve shared the stage with notable acts such as U.D.O., Battle Beast, Serenity, Beyond the Black, Masterplan, Warkings, AXXIS, Freedom Call, Manntra, and Temperance—further cementing their reputation as a formidable force in modern metal.
Watch On YouTube
In this interview, Tim visits The Music Vault, an independent music shop in Wellington, Telford, to speak with owner Jake about the realities of running a local guitar store in today’s music retail landscape. The conversation offers insight into how independent shops are adapting, the growing importance of secondhand gear, and why physical music stores still matter to local communities.
Jake explains that The Music Vault is built largely around secondhand instruments and equipment, which form the backbone of the business. The shop caters to a wide range of players, offering guitars from as little as £50 for beginners up to around £1,500 for higher-end models. This broad pricing structure makes the shop accessible to everyone—from first-time players to experienced musicians looking for something unique. For those just starting out, Jake notes that a basic guitar and amp setup can be put together for around £120, lowering the barrier to entry for new musicians.
A major part of the shop’s success comes from part exchange, trade-ins, and house clearances, which ensure a constantly changing inventory. Jake highlights that he no longer needs to actively search for stock, as customers regularly bring in instruments and gear to sell or swap. This steady flow of secondhand items not only keeps the shop fresh but also allows customers to discover rare or unusual pieces they wouldn’t typically find in larger retail chains.
Beyond guitars, The Music Vault stocks a variety of effects pedals, amplifiers, and occasional keyboards and synthesizers. Pedals, in particular, are a strong seller due to their affordability and the creative flexibility they offer players. Jake also points out a noticeable shift in amplifier trends, with musicians increasingly favouring smaller, more portable combo amps over traditional large speaker cabinets, reflecting changes in how and where people play music today.
Repairs and maintenance are another key aspect of the business. Jake carries out regular setups, restringing, and more extensive repair work on a daily basis. This hands-on service is a major advantage of independent shops, giving local musicians access to expert support and helping extend the life of their instruments. It also provides a consistent source of work, even during quieter retail periods.
Jake’s journey into running the shop began with a small market stall selling basic accessories. Over time, he expanded his stock, moved into larger premises, and gradually built The Music Vault into a well-established local business. While he has explored online sales, he acknowledges the challenges of maintaining a website for secondhand gear, as each item requires individual listings, detailed descriptions, and photographs.
Overall, the interview highlights the enduring value of independent music shops. More than just retail spaces, they serve as community hubs where musicians can connect, receive advice, and try equipment in person. In an era where many high street stores are disappearing, The Music Vault demonstrates that with the right approach, independent music shops can continue to thrive.
Goya – The Story..
The name Goya evokes something more than music—it suggests storytelling so vivid it feels real, as if you’re right there inside the moment.
Let yourself be carried away.
Goya’s sound invites listeners on a journey to warm, sun-soaked places around the world. It’s the sensation of sand between your toes, salt on your lips, and a drink in hand as the rhythm takes over. Their energetic performances naturally pull you toward the dancefloor, creating an atmosphere that’s both uplifting and immersive.
At its core, Goya blends ska and gypsy influences with a groovy foundation, layered with touches of rock and reggae. Add in global sounds, and the result is a vibrant, feel-good musical fusion that’s impossible to resist.
“Clair De Lune” – A Love Story
One of their standout tracks, Clair De Lune, captures a softer, more romantic side of the band. The song tells the story of two lovers wandering through fields and forests together until the moon rises.
Beneath its gentle imagery lies a deeper meaning: the idea that time spent together in nature is enough for love to grow and flourish. When two people are truly aligned in this way, nothing can stand in the path of their happiness.
Hailing originally from Dalkeith and now based in Edinburgh, Cherry Red are a five-piece indie rock band bringing youthful energy and nostalgic flair to the UK music scene. Formed in 2019 while still in high school, the band have grown up side by side—both personally and musically—shaping a tight, authentic sound rooted in years of collaboration.
Since their early beginnings, Cherry Red have gained notable momentum, earning support from BBC Introducing and performing at iconic venues such as King Tut’s Wah Wah Hut in Glasgow—a rite of passage for many breakthrough UK acts.
Their music captures the emotional highs and uncertainties of navigating early adulthood, blending reflective lyricism with a vibrant indie rock edge. A defining feature of their sound is the interplay between male and female vocals, creating rich harmonies and dynamic storytelling that feels both intimate and expansive.
Instrumentally, Cherry Red deliver a full-bodied sound driven by dual guitars, synthesiser textures, bass, and drums. The result is an energetic yet melodic style—punchy and anthemic, while still maintaining a sense of upbeat playfulness that makes their tracks instantly engaging.
With a growing reputation and a sound that balances nostalgia with fresh perspective, Cherry Red are a band firmly on the rise.
Overview:
Mess in Mind is an indie pop release from Australian singer-songwriter Caleb Barth. Building atmospheric synths with driving guitar and drums, the track captures a late-night, introspective energy.
About the song:
Caleb Barth’s latest single explores the restlessness of an overactive mind, dwelling on mistakes, and its eventual ability to overcome them, allowing clarity to form.
Built on a foundation of pulsing rhythm, layered guitars, and ambient textures, Mess in Mind reflects on the weight of intrusive thoughts and the realisation that, however overwhelming, these moments play a role in shaping who we become.
The track leans into both tension and release, mirroring the cycle of overthinking; from spiralling uncertainty, to a quiet sense of acceptance.
“Mess in Mind came from those nights I couldn’t switch my thoughts off. It’s about learning to sit with the chaos a little and realising that it’s all part of the process of becoming who you are.”
This Matteo -Stupid People stuck up my Nose
DIY Punk Energy with New Single
At just 12 years old, Matteo is already carving out his place in London’s underground music scene. The young guitarist and songwriter brings a raw, DIY punk spirit to a new generation, drawing clear influence from legends like Green Day, Ramones, and The Clash. His sound is loud, direct, and unapologetically honest—exactly what punk has always stood for.
“Stupid People Stuck Up My Nose” – A New Release
Released on March 20, Matteo’s latest single, “Stupid People Stuck Up My Nose,” delivers an unfiltered take on the world through a young but strikingly self-aware lens. Built on punchy guitar riffs and a no-compromise vocal delivery, the track channels frustration, irony, and independence.
At its core, the song captures how a kid tries to make sense of today’s chaotic world—bombarded by headlines, opinions, and constant bad news. Rather than overanalyze it, Matteo keeps things simple and direct: make the world rock again.
The Video –
The accompanying music video stays true to the track’s DIY ethos. Filmed in Matteo’s bedroom, it features a backdrop of handmade posters and newspaper headlines he had been absorbing in the weeks leading up to recording.
The result is a deliberately chaotic visual setting that mirrors both the confusion and the raw energy driving the song.
This release follows Matteo’s debut single, “S.O.S. (Same Old Situation),” which he originally wrote at just 10 years old and released last October. That track took a sarcastic swipe at the repetitive, overproduced nature of modern pop music—calling out recycled chords, themes, and overly polished aesthetics.
Everything about Matteo’s project reflects a genuine DIY approach. From recording and visuals to promotion, he keeps full creative control spreading his music through handmade flyers, QR codes, and word of mouth.
Musically, he built the track from the ground up, playing both electric guitar and bass, while crafting drum parts using a loop pedal. The final version was recorded in a small studio in Clapham, carefully preserving the raw, high-energy feel of his original demo.
Fuzzolini – New Release “Born To Burn”
Led by Valter Nõmm (of Tallinn noise veterans Shelton San), Fuzzolini is less a band and more a rotating collective drawn from Estonia’s underground. Instead of a fixed lineup, each track introduces a new collaborator, creating a shifting cast of voices and styles.
The result is Beauty Exists in Everyone — an album that feels both chaotic and cohesive, moving fluidly between noise rock, experimental electronics, punk, and avant-pop. While collaboration is common in pop, it’s rare in alternative rock; Fuzzolini flips that idea into the project’s core identity.
Sonically, the album drifts between hypnotic noise, raw punk energy, eerie synth textures, and flashes of unexpected pop. Tracks like “Ghost Beyond The Glass” and “Twilight Haze” explore darker atmospheres, while “Born to Burn” delivers a striking blend of alt-pop and fuzz-heavy guitars. The closing track, “Empty Street,” pushes things furthest, ending on a haunting note with free-improvisation vocals.
At the centre is a core lineup featuring Filipp Lepalaan (Talbot) on drums, Kristi Jõeste on analogue synths, and Margus Voolpriit (Pia Fraus / Wolfredt) on bass, alongside producer Magnus Andre. Around them, a wide circle of collaborators—from Mari-Liis Rebane (Vul Vulpes) to experimental pop artist MANNA—brings the album to life.
More than just a record, Beauty Exists in Everyone captures a moment in Tallinn’s underground: a cross-section of artists, genres, and generations creating something unpredictable and alive—and a compelling introduction to Estonia’s alternative scene.