This Matteo -Stupid People stuck up my Nose

 DIY Punk Energy with New Single

At just 12 years old, Matteo is already carving out his place in London’s underground music scene. The young guitarist and songwriter brings a raw, DIY punk spirit to a new generation, drawing clear influence from legends like Green Day, Ramones, and The Clash. His sound is loud, direct, and unapologetically honest—exactly what punk has always stood for.

“Stupid People Stuck Up My Nose” – A New Release

Released on March 20, Matteo’s latest single, “Stupid People Stuck Up My Nose,” delivers an unfiltered take on the world through a young but strikingly self-aware lens. Built on punchy guitar riffs and a no-compromise vocal delivery, the track channels frustration, irony, and independence.

At its core, the song captures how a kid tries to make sense of today’s chaotic world—bombarded by headlines, opinions, and constant bad news. Rather than overanalyze it, Matteo keeps things simple and direct: make the world rock again.

The Video –

The accompanying music video stays true to the track’s DIY ethos. Filmed in Matteo’s bedroom, it features a backdrop of handmade posters and newspaper headlines he had been absorbing in the weeks leading up to recording.

The result is a deliberately chaotic visual setting that mirrors both the confusion and the raw energy driving the song.

This release follows Matteo’s debut single, “S.O.S. (Same Old Situation),” which he originally wrote at just 10 years old and released last October. That track took a sarcastic swipe at the repetitive, overproduced nature of modern pop music—calling out recycled chords, themes, and overly polished aesthetics.

Everything about Matteo’s project reflects a genuine DIY approach. From recording and visuals to promotion, he keeps full creative control spreading his music through handmade flyers, QR codes, and word of mouth.

Musically, he built the track from the ground up, playing both electric guitar and bass, while crafting drum parts using a loop pedal. The final version was recorded in a small studio in Clapham, carefully preserving the raw, high-energy feel of his original demo.

Fuzzolini – New Release “Born To Burn”

Led by Valter Nõmm (of Tallinn noise veterans Shelton San), Fuzzolini is less a band and more a rotating collective drawn from Estonia’s underground. Instead of a fixed lineup, each track introduces a new collaborator, creating a shifting cast of voices and styles.

The result is Beauty Exists in Everyone — an album that feels both chaotic and cohesive, moving fluidly between noise rock, experimental electronics, punk, and avant-pop. While collaboration is common in pop, it’s rare in alternative rock; Fuzzolini flips that idea into the project’s core identity.

Sonically, the album drifts between hypnotic noise, raw punk energy, eerie synth textures, and flashes of unexpected pop. Tracks like “Ghost Beyond The Glass” and “Twilight Haze” explore darker atmospheres, while “Born to Burn” delivers a striking blend of alt-pop and fuzz-heavy guitars. The closing track, “Empty Street,” pushes things furthest, ending on a haunting note with free-improvisation vocals.

At the centre is a core lineup featuring Filipp Lepalaan (Talbot) on drums, Kristi Jõeste on analogue synths, and Margus Voolpriit (Pia Fraus / Wolfredt) on bass, alongside producer Magnus Andre. Around them, a wide circle of collaborators—from Mari-Liis Rebane (Vul Vulpes) to experimental pop artist MANNA—brings the album to life.

More than just a record, Beauty Exists in Everyone captures a moment in Tallinn’s underground: a cross-section of artists, genres, and generations creating something unpredictable and alive—and a compelling introduction to Estonia’s alternative scene.

NMR – Samuel – Good Thing – Review

A warm and soft intro opens the track, nice mellow chords with a super smooth vocal tone from Samuel.

The pace picks up a bit with some added instrumention and some cool sounds going on, the vocal gets more width in the stereo space, the Bass is particularly nice  on this song.

The mix and production is spot on for this style, very well presented, if your looking for relaxing pop , this could be for you. 

Shallow Honey – “Ordinary Men”

Rising Egyptian-American musician Michael Isaak is preparing to release his debut album The Carpet Maker. The project explores his diasporic identity, blending his Egyptian heritage with his American upbringing through a distinctive sound he calls “Arabesque Folk.”

For the New York-based artist, the album represents a new creative chapter—one shaped by reconnecting with his cultural roots and rediscovering the music that shaped his early life.

Cultural Roots

The Carpet Maker tells the story of Isaak’s personal journey from cultural distance to a deeper understanding of his Egyptian identity.

The album began to take shape following a trip to Egypt in 2023, an experience that Isaak describes as transformative.

“I began to go back and listen to all of the Arabic music from my childhood and reconnect with my culture. When I was back at home, I’d sit at the TV with my dad almost every night, and he would show me a different piece of music — Fairouz’s Andalusyat; the Bombotaya, a traditional folkloric song and dance from my dad’s hometown Port Said, Egypt; many pieces from Umm Kulthum, the most beloved and prolific singer from the Arab world.”

Inspired by this rediscovery, Isaak revisited the music of legendary Arab artists such as Fairuz and Umm Kulthum while developing the album’s sonic direction.

Arabesque Folk Sound

Musically, The Carpet Maker blends guitar-driven folk songwriting with traditional Arabic instrumentation.

A central element of the album’s sound is the Arabic oud, which became a guiding instrument throughout the recording process. Isaak even learned to play the instrument while writing the album.

Working alongside Iranian oud player Sohail, he also incorporated Arabic modal systems known as Maqams, allowing him to create a musical language that bridges traditional Middle Eastern sounds with contemporary folk influences.

Each track on The Carpet Maker reflects a different dimension of Isaak’s exploration of heritage, memory, and belonging.

The title track, “The Carpet Maker,” was the first song written for the album. It imagines an alternate life in which Isaak’s family never left Egypt. Inspired by memories of his grandparents weaving rugs and singing folk songs, the piece expands into deeper reflections on identity and family history.

The album’s lead single, “Hold Your Keys,” explores themes of displacement and resilience. The song uses a house key as a symbol of hope passed down through generations within diasporic communities.

Isaak also reinterprets “Eastern Rain” by Joni Mitchell, reshaping the song through Arabic musical traditions and infusing it with his own cultural perspective.

Together, these songs form a cohesive narrative about identity shaped by distance, culture, and time.

Shallow Honey – “Ordinary Men”

“Ordinary Men” is a fierce, unflinching protest song that exposes the everyday violence, entitlement, and hypocrisy women often face at the hands of men who see themselves as harmless.

Through sharp, confrontational lyrics, the track reclaims bodily autonomy and turns the shame of abuse back onto the perpetrators. It blends raw vulnerability with defiant power, challenging the systems that protect abusers while stripping women of their rights. At its core, the song insists that the real problem lies not with the victims, but with the “ordinary men” who cause the harm.

About Shallow Honey

Shallow Honey are an alt-rock four-piece from Brighton, formed in early 2020 by guitarist Ben Siviter, bassist Carl Toppin, and vocalist Rai Conway, with drummer Seb Philp joining the lineup in late 2024.

The band’s sound is a dynamic fusion of rock and pop, unapologetically tackling feminist themes while balancing both loud and quiet moments. Their music moves between melt-your-face guitar riffs, fuzzy driven basslines, and powerful, groove-heavy rhythms.

Highlights and Releases

Shallow Honey have already built an impressive list of live achievements, including supporting The Subways at a sold-out show in Northampton. They have also appeared at festivals such as CorCroLand and LOUD WOMEN Fest London, and joined Melita Dennett for a BBC Sussex Live Lounge session.

In 2024, the band released their debut EP Lost Bodies, followed in 2025 by the single “WHAT YOU MADE ME DO,” produced by Steven Ansell of Blood Red Shoes.

Inimata: New EP Tri-State Scumbag – Electro Punk Experimental

About the EP

Tri-State Scumbag is the newest release from Inimata and marks their most substantial project since the debut album Dog Trauma. The EP represents a tonal shift from the previous record, refining Inimata’s eclectic sonic palette and sardonic aggression into something that feels both polished and deliberately chaotic.

Guided by the narration of Benjamin Prendagast, Tri-State Scumbag takes listeners through seven high-energy tracks that rarely let the momentum slow down.

The EP kicks off with “Rework,” driven by chugging basslines and bright guitar riffs. The track shifts seamlessly between gritty grunge textures and a wide, melodic chorus. From there, the project moves into more classic Inimata territory with the off-kilter energy of “Pop Off” and the synth-laden grooves of “Cult Classic.”

The record leans further into electronic and hip-hop influences, building to the explosive “Cut That!” — one of the EP’s most energetic moments.

After that peak, the project cools slightly with “Big Rig Energy,” a grimy yet captivating groove featuring the EP’s only guest appearance from Sydney artist Freddy.

The closing tracks bring the project home in style: “Talk Tough” delivers another burst of intensity, while “Best Behaviour” wraps things up with a blend of compassion and humor.

Together, the seven tracks form a tightly packed ride through Inimata’s genre-blurring sound world.

About Inimata

Inimata was born in London before moving to Australia, eventually spending much of his formative years growing up in Newcastle.

Emerging in a local scene largely dominated by indie and surf rock bands, Inimata quickly positioned himself as one of the most distinctive artists in the area. Developing his craft as a producer, songwriter, and performer, he steadily built a reputation through energetic live shows and genre-bending releases.

Over the years, he has shared stages with a range of acts including Doris, Behind You, Feelsclub, AFK, and Veles the Menace.

Refusing to be boxed into a single genre, Inimata blends humor, intensity, and ambition into a sound that is both explosive and unpredictable. That creative freedom is exactly what makes Tri-state Scumbag such an engaging listen.

Lana Crow – New Single “Unknow The Known”

Rising pop-rock powerhouse Lana Crow is set to shake up the airwaves with her latest single “Unknow The Known.”The fast-paced anthem trades comfort for clarity, delivering a sharp commentary on modern society’s growing divisions.

Produced by Grammy Award-winning producer Tristan Boston, the track arrives at a time when public discourse often feels louder than ever. Rather than adding to the noise, Crow’s new release challenges listeners to question what they believe—and why.

For Crow, the inspiration behind “Unknow The Known” came from a deeply personal realization.

For years, she struggled with self-doubt, viewing her tendency to question herself as a flaw. Over time, however, she began to see it as something far more powerful.

“I grew up despising my lack of self-confidence and conviction, always second-guessing myself,” says Lana Crow.

“I used to see it as a weakness. But today, I watch a world full of people who are overly confident in their own beliefs.”

As debates and opinions grow more polarized, Crow believes uncertainty can actually create space for deeper understanding.

“When I look at people like myself—those who were never overly sure of their own ideas—I realize that, in many ways, we have more clarity about what’s happening. It is not a bad idea to question yourself and the information you receive.”

Thought-Provoking Lyrics

Musically, “Unknow The Known” is a high-energy blend of pop-rock attitude and indie-pop polish. Gritty guitar riffs drive the track forward, while soaring melodies give the song a powerful emotional lift.

Lyrically, Crow encourages listeners to challenge assumptions and rethink accepted narratives.

Rather than encouraging louder arguments, the song promotes a quieter but more powerful response: observation, reflection, and curiosity.

Crow suggests that if people paused to ask why they prefer certain information before rushing to judge, the world might become a more understanding place.

The Must Haves – Evie – Indie Pop Punk

London’s noisy slacker indie rock misfits The Must Haves are back with a brand-new single, “Evie,” landing on all streaming platforms on March 3.

The band are also releasing a limited-run double A-side 7” vinyl, available through selected independent record stores and on their Bandcamp page, with MP3 downloads available too.

The release features two tracks packed with the band’s signature fuzzy, guitar-driven slacker indie sound.

Side A – “Evie”

A catchy indie riff with fuzzed-out hooks and laid-back vibes. Fans of Modest Mouse, Pavement and Grandaddy will feel right at home here.

AA Side – “Pissing on Strangers”

Flip the record and you’ll find a dirtier, groove-driven guitar workout, inspired by the grungy melodic weight of Dinosaur Jr. and Kyuss.

Raw, noisy and proudly lo-fi, this one’s built for fans of DIY indie rock and fuzz-heavy guitars.

Release details

Digital release: March 3, 2026

Format: Double A-side 7” vinyl

Pressing: Limited to 200 copies

Available via independent record stores and Bandcamp

The Bathrobes – Do You Wanna Call 

Formed in Belgium in 2022, The Bathrobes emerged from a simple but powerful desire: to make music without hiding behind a role, a concept, or an artificial image. From the very beginning, authenticity was their guiding force.

Very quickly, Django came up with a simple yet brilliant idea — to go on stage wearing a bathrobe. What started as a playful gesture soon became the band’s unmistakable trademark. More than just a gimmick, the bathrobe represents something deeper: breaking down the invisible wall between artist and audience, and reminding everyone that music is, above all, about pleasure, spontaneity, and shared emotion.

Over time, this image has evolved. The bathrobe is no longer just an outfit — it has become a ritual. It marks the transition between intimacy and exposure, between who they are offstage and who they become under the lights. Stepping on stage remains an intense and demanding moment, where the band gives everything without filters, in a constant search for sincerity and connection.

About the band

Composed of four musicians, The Bathrobes craft an indie pop-rock sound sung in English, driven by melody, emotion, and collective energy. At its heart, the project is a human adventure.

The collective spirit plays a central role — both in the creative process and on stage. Their music is shaped by the exchanges, contrasts, and sensitivities of each member, united by a shared ambition: to create vibrant, unifying moments that resonate long after the final note fades.

First Releases & Live Momentum

In 2023, the band released their first two tracks across streaming platforms. “Take Care of Me” quickly became their most-streamed song, while “Change” further confirmed their indie pop-rock direction.

On stage, they built momentum through showcases, local events, and festival appearances — including performances at Unifestival in Liège and Parcours Amplifiés 2025. These live experiences played a crucial role in shaping their identity and directly led to the creation of their third track, “Do You Wanna Call?”

Defining Chapter: “Do You Wanna Call?”

After several years of live performances and early releases, The Bathrobes are now entering a more structured and intentional phase of their journey.

Their latest single, “Do You Wanna Call?”, signals a clear evolution — both sonically and artistically. The track feels more deliberate, reflecting a growing maturity in the band’s sound and vision. The balance between emotion, intensity, and cohesion takes center stage, marking a pivotal moment in their development.

This progression is part of the preparation for their debut EP — a key milestone designed to unify the different facets of their artistic identity and establish a sustainable, long-term direction.

Whether on stage or in the studio, The Bathrobes champion a sincere and deeply human approach to music. Rather than chasing immediate consumption or fleeting trends, they prioritize evolution, durability, and meaningful artistic growth.

At this turning point in their journey, The Bathrobes are no longer just experimenting — they are building something designed to last.