NMR
June 16, 2026

Jamie Fontaine & The Level – Hate ( Punk / Rock )

From playing small Wisconsin bar gigs to reaching No. 20 on the Billboard charts, the story of Jamie Fontaine and the Level has long felt like one waiting to be told in full. Now, that journey is being captured in a new book, Scars and Melodies, written by longtime band manager Chris Dobry.

The idea for the book didn’t start as a formal project, but as a moment of reflection. Dobry recalls reconnecting with Jamie Fontaine after seeing a nostalgic post about the band’s early days. That simple trigger reopened conversations with both Fontaine and the band’s bass player and quickly turned into something larger.

“Back in January I saw a post from Jamie Fontaine… he was reflecting on those times. It really pulled at my heart strings,” Dobry said, explaining how the book began to take shape.

Dobry is no outsider to the industry. He founded Stryker Records in 1997 and built a long career in the music business, later being ranked No. 4 entrepreneur in the US Reporter’s Top 20 Entrepreneurs of 2020. For him, the band’s story wasn’t just worth telling—it was already sitting in memory, waiting to be structured.

Once the idea was floated, he began writing immediately. What started as a loose attempt to document events quickly turned into a deep reconstruction of timelines, tours, signings, and milestones. “At first it was about documenting what happened,” he said. “I spent a good eight hours of research between the concerts we did and some of the major events like when we got signed and when we charted on radio.”

As the process unfolded, memory and research merged. Dobry worked through the band’s history from their 2017 signing to Jamie Fontaine’s departure in 2021, gradually rebuilding the narrative with input from multiple members. “I roughly knew the whole story, I just had to get the timeline down,” he explained. “After going through it two to three times I was remembering more and more details and was able to ask the band what they remembered.”

What emerged is not just a success story, but a portrait of life on the edge of it. Scars and Melodies explores the intensity of the modern rock lifestyle, including the excess, ego, and blurred boundaries that often come with sudden momentum.

Dobry doesn’t shy away from those moments. One anecdote from the book describes a chaotic night of post-show partying alongside members of Saving Abel, a night that spiralled into exhaustion, confusion, and a surreal morning after.

“There’s hardly anything being held back in this story. It’s a real rock’n’roll story through and through,” he said.

At its core, though, the book is intended as a warning as much as a recollection. Dobry is candid about the band’s trajectory, especially during their peak when they reached the Billboard Top 20 but were already struggling internally.

“If you’re in music or the music business, I hope it’s a guide of what not to do,” he said. “The singer got a big ego and the partying became so excessive that it destroyed what we were doing.”

He also acknowledges the wider context, including the disruption of COVID-era touring, but emphasises that lifestyle choices played a major role in the band’s decline. “We hit number 20 on Billboard and we were wasted,” he said.

Despite its reflective tone, the story hasn’t ended where it stopped. In a twist that edges into present-day continuation, Dobry reveals he has re-signed Jamie Fontaine & the Level—though only part of the original lineup.

“This may end up ruining the end of the book,” he said, “but I did end up resigning Jamie Fontaine and the Level.”

A new release is already scheduled for May 15, marking the band’s first music since 2021. The track, Hate, comes from the group’s final studio sessions and is being finished and polished for release.

“Jamie didn’t even do a scratch take on it, but it ended up being good enough to put out,” Dobry said, adding that additional unreleased material from those sessions is also being revisited with updated production and mastering.

Originally emerging from the Green Bay music scene, Jamie Fontaine & the Level built their reputation on emotionally direct rock songwriting and high-energy live performances. Their breakout single Save Your Life reached No. 20 on the Billboard charts and helped define their rise within the Midwest rock circuit.

After years of silence, the 2026 return with Hate signals not just a comeback, but a continuation of a story that never fully closed. That story now exists in two forms: the music itself, and Scars and Melodies, a book tracing the rise, collapse, and uneasy rebirth of a band that once burned bright enough to reach the charts—but not steady enough to hold the flame.

NMR
June 15, 2026

Nook – Ghosts ( Rock / Metal )

NMR – A slightly melancholy vibe to this track, the title suits it well as it has a haunting feel to it, the wide distant guitars, the eerie vocal style, its a good arrangement, not typical verse  / chorus affair, a bit more fragemented but very well done, some great instrumental work, the mix and production is perfect for this genre, a nice composition.    

About Nook

Nook creates music for listeners who value solitude and introspection — the kind of sound that invites you to sit with a thought and let it unfold. Heavy, atmospheric, and deliberately slow-burning, their work isn’t afraid of silence, using space as a core part of its emotional weight.

Drawing from the structural patience of progressive rock and the expansive depth of classic atmospheric rock, Nook’s songwriting feels less like direct statements and more like immersive surfaces. The longer you spend with each track, the more details begin to emerge — often reflecting something personal back at the listener.

Liquid Tissue is out now, accompanied by a virtual gallery experience that expands on the project’s aesthetic and themes. Explore it here: visit.virtualartgallery.com/liquidtissue

NMR
June 12, 2026

James Tonic – At The Time in New York ( Pop / Electronic )

NMRA smooth electro vibe kicks this off, some warm synths sprinkled around the stereo field, a solid Bass line holding it all together.

James’s vocal sounds nice, suits this Pop style well, good harmonies and the track has a nice catchy chorus melody.

About James Tonic

James Tonic has officially released Safety II, the highly anticipated second instalment in his dream pop trilogy, following the breakout success of 2025’s Safety. Dropping on January 28, 2026, the artist’s seventh studio album continues to expand his sonic universe, blending hazy, atmospheric textures with grounded, real-life emotion.

Building on the momentum of its predecessor—which achieved over 20,000 sales and an impressive 60% Spotify save rate—Safety II arrives with strong expectations. The buzz surrounding 2024’s Stuck in LA, along with a run of sold-out West Coast shows, has only further cemented James Tonic’s growing reputation.

The nine-track album strikes a compelling balance between contrast and cohesion, pairing darker lyrical themes with lighter, more uplifting musical arrangements. Sonically, the record leans into live drum performances, vintage synthesisers, and raw instrumentation, delivering an authenticity that stands apart in today’s polished production landscape.

With Safety II now out in the world, fans can also look forward to seeing these tracks brought to life on stage. James Tonic is set to hit the road soon, with tour dates expected to be announced in the near future.

NMR
June 10, 2026

The Sedonas – Whistlin’- along ( Country / Rock ) Review

The Sedonas – Whistlin’ Along –  Country / Rock.

About –

“Whistlin’-Along” marks the debut of new studio material from The Sedonas since 2022, kicking off what promises to be a busy run of releases throughout 2026.

Drawing heavy inspiration from the band’s touring experiences with Dwight Yoakam, the single blends country and rock influences while exploring themes of perseverance and authenticity.

Guitarist Ryan Sise plays a key role in shaping the track, contributing as both producer and performer. Notably, the song features a rare acoustic guitar solo — a stylistic departure from the band’s usual sound — adding a fresh dimension to their evolving musical identity.

The title “Whistlin’-Along” reflects both forward momentum and the prominent whistling woven throughout the track. Complementing this is the drummer’s use of a classic “train beat,” reinforcing the song’s sense of movement and journey.

The single will be available across all major streaming and download platforms, accompanied by a short video shared via the band’s social channels. The video captures The Sedonas recording the track at the historic Welcome to 1979 studio in Nashville.

Hailing from Knoxville, Tennessee, The Sedonas have built an impressive catalogue, including an EP, two standalone singles, three studio albums, and a longer live project titled Opening Selects. Since 2016, the band has toured extensively across the United States, sharing stages with major acts such as The Who, ZZ Top, Lynyrd Skynyrd, The Black Crowes, and Goo Goo Dolls.

Frontman James Connor Wike leads the band as primary songwriter and manager, joined by Ryan Sise on guitar and Casey Green on drums and percussion. The group currently rotates between bassists Sam Fruend and Dre Phelps.

Looking ahead, The Sedonas are set to tour with Three Dog Night and other acts throughout the year, balancing live performances with a steady stream of new releases.

NMR
June 8, 2026

Hunter Benson – Last To Know ( Acoustic Country / Rock )

Hunter Benson – Last To Know – Review

NMR –

The intro is about as country rock as they come, with overdriven guitar licks, solid drums, and a tight rhythm section. This track has width—and lots of it—with the instrumentation spread to the stereo extremes.

Hunter’s vocal sits perfectly, delivering melodic lyrics in his own distinctive style. All of this is backed up by some excellent guitar riffs and strong arrangement. Overall, this is a country rock playlist track for sure.

About Hunter Benson 

Hunter Benson is a Rock, Country, and Americana artist from Redondo Beach, California, crafting a sound that draws from Southern rock, grunge, and classic Americana. His music blends guitar-driven grit with reflective lyricism and a strong sense of melody, rooted firmly in lived experience rather than abstract storytelling.

Benson writes from a place of truth — grounded in themes of struggle, faith, and resilience. For him, music is more than expression; it’s a way to process loss and search for understanding.

At just three years old, Benson survived a lightning strike that tragically took his father’s life. That moment continues to shape his songwriting today, informing themes of grief, anger, surrender, and the ongoing search for meaning.

His upcoming EP Seeking, due March 27, 2026, brings these themes into sharp focus. Across five tracks, Benson explores loss and accountability while trying to make sense of change and forgiveness.

“Come and Gone,” set to appear in the 2026 feature film Pellett, reflects on how quickly life can shift. “Heaven’s Letter” revisits his father’s passing, while the title track reaches outward in search of guidance. Closing track “Last to Know” leans into a heavier rock sound, turning inward to examine what truly matters before time runs out.

With sold-out hometown shows and a finalist placement at the BeachLife Festival Battle of the Bands, Benson continues to build momentum. His growing audience is drawn to his direct, personal songwriting — music that resonates far beyond his own story, speaking to anyone navigating loss, doubt, or the need for connection.

NMR
June 6, 2026

Samantha Davis – The Last Time ( Pop )

Samantha Davis – The Last Time – Review

NMR – This does have a familiar groove to it, but it also has its own thing going on, very cool vibe with the wide electro sounds and rhythm pattern, the vocal is delivered very nicely, with some added lower harmonies supporting the lead.

The melodies are catchy, and some interesting production work hidden n the ear candy, some nice touches there, overall a nice track for a Pop playlist. 

About Samantha Davis

ndependent pop/rock artist Samantha Davis continues to expand her growing catalogue with The Last Time, an emotionally charged single that leans into her strengths: powerful vocals, raw storytelling, and cinematic production.

At its core, The Last Time explores the quiet devastation of recognising when a relationship has reached its breaking point. The track balances vulnerability with bursts of explosive intensity, allowing the emotion to build naturally before hitting with full force. Samantha’s raspy yet dynamic vocal delivery sits front and centre, driving the song’s dramatic pop/rock edge — a sound that’s quickly becoming a defining trait of her artistry.

What sets Samantha Davis apart is her ability to connect directly with listeners, both through her original releases and her consistent livestream performances. That connection has translated into a rapidly growing online fanbase and a series of notable milestones. She placed in the Top 12 nationwide in the iHeartRadio independent artist competition and performed at the iHeartRadio Theater in Los Angeles in September 2025. She has also made a strong impression in major TikTok LIVE music competitions, including Live Fest and Gimme The Mic.

The Last Time marks another important step in shaping Samantha’s identity as an emerging independent artist, paving the way for subsequent releases such as Love Your Face.

NMR
June 5, 2026

Four Act Riot – Insecure ( Pop / Rock ) Review

Four Act Riot return with Insecure, a track that dives into the quiet uncertainty that can linger beneath even the most seemingly perfect relationships. At its core, the song captures that persistent inner voice—the one that quietly asks “what if?”—turning a deeply personal feeling into something widely relatable in the context of modern relationships.

Sonically, Insecure balances layered instrumentation with a clear focus on vocal delivery. The production gradually builds tension, stacking guitars and rhythm elements without overwhelming the mix, before breaking into an energetic, memorable hook. It’s a structure that keeps the listener engaged while reinforcing the emotional weight of the lyrics.

There’s a clear commitment to authenticity here. Rather than leaning into overproduction, the band favour a raw, performance-driven sound that allows the emotion to cut through naturally. It’s this approach that gives Insecure its impact—grounded, direct, and honest.

Fans of modern indie and alternative rock will find plenty to connect with. The track sits comfortably alongside artists like Catfish and the Bottlemen, Sam Fender, and Royel Otis, blending catchy melodic sensibilities with a punchier, guitar-led edge.

Artist Statement

“We wanted Insecure to feel honest and relatable. It’s about those moments in relationships where everything seems fine on the surface, but you still have that doubt in the back of your mind. This could stem from your own anxiety or something else, but we wanted real emotion with real instruments and vocals—something that people can connect with.”

— Morgan Rees (Four Act Riot)

About Four Act Riot

Four Act Riot are an indie rock band based in Cardiff, formed in August 2024. Despite being a relatively new project, they’ve quickly made an impression on the South Wales live circuit, building momentum through consistent gigging and high-energy performances.

Within their first year, the band have already played major Welsh venues and festivals, including Lakefest, and expanded their reach into London with a show at Dingwalls in Camden. Their debut single Drunk secured radio play across both the UK and the US, while unreleased track Crisis has gained early attention after being featured on the BBC television series Stranded on Honeymoon Island.

Drawing influence from the likes of Catfish and the Bottlemen, Sam Fender, and Stereophonics, Four Act Riot craft guitar-driven indie rock built on strong melodies and emotionally direct songwriting—positioning themselves as a band with clear intent and growing momentum.

NMR
June 4, 2026

The Songs of Butler and Cupples – Frequency ( Feat. Mavis) ( Classic / Electronic ) Review

The Songs of Butler & Cupples Return with Genre-Bending New Single ‘Frequency’

Following the momentum of their first two releases of 2026, The Songs of Butler & Cupples return with ‘Frequency’—a vibrant, genre-fluid single that further cements the project’s songwriting-first ethos.

Rooted in collaboration, musicianship, and substance over spectacle, the release continues to position the duo as one of the more creatively ambitious emerging songwriting projects operating beyond the constraints of traditional band structures.

Conceived as a platform where the song itself remains the central focus, The Songs of Butler & Cupples was born in response to a modern music landscape often driven more by perception than composition.

Helmed by two experienced industry songwriters, the project allows ideas to dictate direction—free from genre expectations or commercial formulas. With ‘Frequency’, the duo step into jazz-infused R&B and alternative pop territory, showcasing yet another dimension of their increasingly diverse catalogue.

Thematically, ‘Frequency’ dives into the emotional unpredictability of club culture and human connection. Built around the idea that being on the “right frequency” can spark euphoric, transcendent experiences—while being out of sync can feel disorientating and surreal—the track embraces both chaos and beauty in equal measure.

There’s an atmospheric tension running throughout, drawing comparisons to the unsettling allure of a David Lynch-style narrative. The result is a soundscape that feels hypnotic, immersive, and emotionally charged.

Musically, the track thrives on contrast. Slick, hook-driven melodies and expressive vocals glide over inventive production that feels simultaneously live, rugged, and futuristic.

There’s a looseness and spontaneity in the arrangement that captures the energy of a live band performance, while still maintaining the sharpness and accessibility of modern pop. It’s a balance that makes ‘Frequency’ feel refreshingly unpredictable—yet instantly replayable.

Already demonstrating a willingness to move fluidly between electronic pop, rock, and more experimental sonic landscapes, The Songs of Butler & Cupples continue to build a reputation for crafting songs that linger long after the first listen.

Rather than chasing trends, the project remains firmly focused on strong songwriting, emotional resonance, and creative freedom.

Summary

At its core, The Songs of Butler & Cupples exists as an open creative vehicle—one without limitation or expectation. With ‘Frequency’, the duo prove once again that meaningful songwriting, inventive production, and bold artistic ideas still have the power to cut through the noise and genuinely connect.

NMR
June 3, 2026

Redmon Luther – Shiny Shiny ( Punk / Pop )

Redmon Luther – Shiny Shiny – Review

NMR – Nice intro guitar licks making use of the ambient delay, the vocal style is distant with some interesting FX.

The chorus comes round swiftly and is good change of pace with a nice melody, the track is well mixed and produced.  

Its put together nicely with no real over processing in my opinion, just an honest guitar / Bass / Drums with a little sugar coating.   

About Redmon Luther

Inspired by the Buddhist monks who recently walked across America carrying a message of compassion and nonviolence, Redmon Luther returns with “Shiny Shiny” — a track that invites listeners to pause, breathe, and look inward.

In a world increasingly consumed by fame, noise, and the lure of the next bright distraction, Luther’s latest single offers a timely reminder: the real glow comes from within. “Shiny Shiny” encourages listeners to reflect on their state of mind, step away from the pull of materialism, and reconnect with what truly matters.

There’s a quiet, meditative quality running through the track, echoing the peaceful footsteps of the monks who inspired it. Their journey becomes a subtle backdrop to the song’s message — one that urges each of us to walk our own path toward clarity, compassion, and inner calm.

With “Shiny Shiny,” Redmon Luther delivers more than just a song — it’s a gentle nudge to slow down and rediscover a sense of balance in an increasingly chaotic world.

NMR
June 1, 2026

Christian Cherry – A Friend or a Hand ( Rock / Pop )

Christian Cherry – A Friend or A Hand – Review

NMR – The heavy guitar intro sounds really strong, then the groove drops to a solid guitar/ Bass / Drum pattern with a full width vocal style, some cool harmonies in there too.

  The track mix is pretty big, using the full stereo field it sounds very nice, the Bass has super low feel, adds real depth, the sparse guitar licks add yet more ambience, and at a little over 2 min its all over too quickly, its not often I say a track should be abot longer  !

I like it…

About Christian  

There are moments when loneliness doesn’t belong in a slow, reflective ballad. Moments when the need for connection—any connection—becomes urgent, overwhelming, and impossible to ignore. A Friend or A Hand captures that exact feeling, repeating its central plea like a mantra: it doesn’t matter which, as long as someone shows up. As long as you’re not left alone for another night.

Driven by grunge-soaked guitars that echo the raw spirit of 90s alt-rock, Christian Cherry leans into a sound that feels both nostalgic and immediate. There’s no gloss here—just a lo-fi edge, an unfiltered vocal delivery, and a sense of emotional urgency that cuts through everything. It’s loud, unapologetic, and built to be felt as much as heard.

What makes the track stand out is its defiance. Instead of sinking into despair, Cherry flips it into something powerful—turning isolation into attitude, vulnerability into volume. It’s the kind of anthem that doesn’t ask for permission; it demands to be heard.

An emerging alternative artist from Cyprus, Christian Cherry is already building momentum. Having previously written for artists like Tamta, Lou, and TEO.x3, he began carving out his own space with last year’s release Home Depot, which found its way onto Spotify editorial playlists and gained traction across Instagram Reels.

With A Friend or A Hand, he takes another step forward—rawer, louder, and more direct than ever.

Turn it up, hit repeat, and let Christian Cherry shout the words you never quite managed to say.