In a world craving a return to the human art of storytelling and melodic escape, Chicago modern rock quartet Emitterdeliver with their powerful new album, Extra Pale.

Blending guitar-heavy grooves, driving rhythms and a bright, kaleidoscopic sound, the album provides the perfect backdrop for Jason Chappell’s distinctive powerhouse vocals. Soulful and occasionally sombre, but ultimately resilient, Extra Pale is rock ’n’ roll that feels both classic and immediate. Fans of Counting Crows and Foo Fighters should find plenty to enjoy.

The album, released April 17, brings together Chappell (vocals/guitar), Steven Van Der Griend (guitar), David Schoon(bass) and Edd Merkel (drums).

“Extra Pale is unfinished business for us. We made this record ourselves, writing it, producing it and playing everything except the drums. It sat on a hard drive for almost 20 years, and we realized we owed it to each other to let it breathe.”

Originally recorded at The Pop Machine in Indianapolis with Marc and Eric Johnson, the album features drummer Kenny Aronoff and was ultimately completed with producer Marc Daniel Nelson.

“This record is about brotherhood and grit. Life happened, and the album never came out. Twenty years later, we realized we weren’t done with it.”

Now, Emitter aren’t chasing trends — they’re simply releasing an album they believe in. Extra Pale will also receive a limited vinyl release, marking the band’s first full-length album since their beginnings in the early 2000s.

From Londo Uk, Seasoned electronic and dance artist A3 makes a welcome return to the UK music scene with his smooth new single, “Maybe It’s You.”

Marking a sophisticated evolution in his signature uplifting sound, the track swaps the high-octane energy of the dancefloor for a deeper, more laid-back sonic landscape.

“Maybe It’s You” serves as the opening single in a new creative chapter for A3, who joined forces in the studio with acclaimed producer and multi-instrumentalist Ian Barter. Barter’s impressive credits include work with Amy Winehouse, Paloma Faith, Dermot Kennedy, and Izzy Bizu.

His production brings a rich, analogue warmth to A3’s melodic sensibilities, blending organic textures with a hypnotic, down-tempo groove. The result is a resonant sound that retains A3’s infectious hooks while exploring a cooler, more atmospheric aesthetic.

“Working with Ian allowed me to drop the beat, then peel back the layers and focus on the raw mood of the music. ‘Maybe It’s You’ is built for those introspective, sunset moments. It’s a bit of a departure from the peak-time club tracks people might expect, but it feels like the most authentic representation of where I am creatively right now.”

The track was mastered in London by industry veteran Tony Cousins at Metropolis, whose credits include Robbie Williams and Annie Lennox.

A3 is no stranger to the upper echelons of the UK music scene. Having previously graced the front cover of Music Weekon his debut, his career includes a string of popular club hits, including the dance-chart fixtures “Feel the Light” and “Come With Me.”

Over the course of his career, A3 has also collaborated with electronic music duo Nervo, while his work has received remixes from legendary pioneers such as Paul Oakenfold.

With “Maybe It’s You,” A3 demonstrates an artist unafraid to reinvent himself. As the first taste of an upcoming trilogy of releases, the single offers a chilled, heartfelt listening experience and a glimpse into an exciting new creative direction.

Producer – Ian Barter

Mastering – Tony Cousins

Indie rock outfit Modern History return with their powerful new single, “Comfort of Pain,” a raw and reflective take on the emotional toll of life in an always-online world. The track serves as the lead single from the band’s upcoming EP, due for release in late September or early October.

Hailing from Chicago, the band is built around the creative partnership of John Hermle (vocals, guitar, piano, keyboards) and Pete Carparelli (drums, bass, guitar, synths, and mixing). Their live lineup expands with Joe Richieron bass and Zach Sutton on drums, bringing added depth and energy to their performances.

Since their debut album Written by the Victors (2011) and the follow-up Remember (2021), Modern History have steadily evolved their sound, blending introspective lyricism with richly textured indie rock arrangements.

“Comfort of Pain” began life as a stripped-back idea in the aftermath of the 2022 midterm elections, shaped by hours of doom-scrolling and the emotional weight of constant digital input. The track later took its final form following the 2024 election, as Hermle revisited and refined its themes.

“At its core, the song explores how easy it is to fall into a pit of despondency,” Hermle explains. “Scrolling through platforms like Reddit, Instagram, and Facebook can feel comforting in the moment—especially when you find a community that shares your feelings. There’s something therapeutic about not feeling alone. But staying in that space too long can hold you back from growing, and I wanted that tension to come through, particularly in the final chorus.”

With “Comfort of Pain,” Modern History capture the push and pull between connection and isolation in the digital age, delivering a track that feels both emotionally resonant and sonically compelling.

The single is available now on all major streaming platforms, with more details about the upcoming EP expected in the coming weeks.

Cambridge-based singer-songwriter Zack Taylored has announced the release of his new three-track EP, Feels Like Home, available now across all major platforms.

The project explores the deep connection between identity and personal history, focusing on how sensory triggers—such as a familiar smell or taste—can instantly bring back vivid childhood memories. At its core, Feels Like Home is a reflective body of work that emphasises the importance of embracing one’s roots and recognising how formative experiences shape who we become.

Departing from his typically softer, more polished arrangements, Taylored takes a raw and unfiltered approach on this release. The EP leans into darker, more introspective themes, allowing the emotional weight of the songs to come through with greater authenticity.

Speaking about the project, Taylored explains:

“Because of the nature of this song, it was difficult to hide the deeper, darker messages behind my usual arrangements. I felt compelled to keep it raw, as it seemed more honest not to alter too much. That’s why it eventually became a three-track EP.”

Feels Like Home is available to stream and purchase now, including on iTunes, with previews also accessible via Spotify, YouTube, and social media platforms.

Zack Taylored is a singer-songwriter from Cambridge, UK, dedicated to creating original music that blends creativity with technology. His work aims to bring an uplifting perspective to complex and often challenging themes, while experimenting with musical structures to craft a distinctive and original sound.

British singer-songwriter and actor Sam Palladio returns with his latest single “Burberry Jacket,” a cinematic indie-pop release that draws deeply from the atmosphere and mythology of London. Released via 3686 Records, the track marks his second outing with the Nashville-based label and continues his evolution as a solo artist.

Inspired by the streets, folklore, and dark allure of the capital, “Burberry Jacket” unfolds against the backdrop of Fleet Street, weaving in subtle references to the legend of Sweeney Todd. The result is a vivid portrait of a dangerous, hypnotic love—one that is as seductive as it is destructive. Lines like “Love me to the grave, your beauty could put me in a casket…” capture the song’s intoxicating pull.

Sonically, the track is driven by pulsing basslines, hypnotic drum patterns, and shimmering guitars. Palladio leans into a sleek indie-pop sound, elevated by a distinctive bridge riff inspired by Dire Straits, adding a touch of classic rock texture to the modern production. The result is a track that feels both contemporary and timeless, balancing atmosphere with emotional intensity.

Written by Palladio alongside Phil Barnes and Kendall Goodman, the single also serves as a personal reconnection to his British roots. Despite spending over a decade in Nashville, Palladio channels the essence of London—its fashion, history, and mystique—into a sound that feels distinctly his own.

Many will recognise Palladio from his role as Gunnar Scott on the TV series Nashville, where he became a fan favourite across its six-season run. Since then, he has continued to build a music career that blends indie-pop with Americana and folk influences, collaborating with notable producers including Dave Sardy and Søren Hansen.

Beyond music, his acting credits include appearances in The Princess Switch trilogy, Humans, Episodes, and the biopic Bob Marley: One Love.

Fresh from a run of UK performances and the Nashville: The Encore Tour, Palladio continues to expand his artistic identity. With “Burberry Jacket,” he leans fully into cinematic storytelling and dark romance, delivering a track that feels stylish, immersive, and unmistakably British—while firmly rooted in the modern Nashville sound.

German alternative rock artist NISSY delivers a focused and thought-provoking statement with Not Silent Anymore, a concept album that unfolds as one continuous journey. Each track connects to the next, exploring themes of mental health, vulnerability, and the wider issues shaping modern life.

The album opens with its title track, setting a tone of awakening and urgency, before moving into “Falling Apart,” which captures the weight of emotional burnout. From there, “Glass Hearts” highlights the challenge of staying open in a guarded world, while songs like “Broken Innocence” and “Poisoned Earth” shift attention toward animal welfare and environmental responsibility.

NISSY balances personal reflection with broader social commentary. “We Look Away” and “Between Truth and Lies” question collective inaction and the complexity of modern systems without pushing a fixed viewpoint, allowing space for the listener to reflect.

Musically rooted in modern alternative rock, the album blends atmospheric textures with emotive vocals, creating a cohesive and immersive feel throughout. The closing stretch, particularly “Still I Breathe” and “Rise From The Ashes,” introduces a sense of resilience, ending the record on a note of cautious hope.

Not Silent Anymore is less about easy answers and more about awareness. It’s a concise but impactful project that encourages listeners to think, feel, and ultimately speak up.